Utrillo, Maurice (1883-1955) Notre-Dame de la Garde à Marseille (Notre Dame de la Garde in Marseille) 1937 Gouache and watercolor over graphite on cream wove paper, 46.4 x 67.6 cm Worcester Art Museum, Worcester See also: • Marseille (France)
Utrillo, Maurice (1883-1955) Eglise de Murato, Corse (Church of Murato, Corsica) c.1940 Oil on canvas, 54 x 64.8 cm Worcester Art Museum, Worcester See also: • Corse (France)
Pissarro, Camille (1830-1903) La Charrue (The Plow) c.1901 Color lithograph, 23.5 x 15.3 cm Worcester Art Museum, Worcester
Jordaens, Jacob (1593-1678) Bacchus and Venus 17th Century Oil on canvas, 81.3 x 115.3 cm Worcester Art Museum, Worcester
Turner, Joseph Mallord William (1775-1851) The Banks of the Loire c.1829 Oil on canvas, 71.3 x 53.3 cm Worcester Art Museum, Worcester
Signac, Paul (1863-1935) Golfe Juan 1896 Oil on canvas, 65.4 x 81.3 cm Worcester Art Museum, Worcester See also: • Golfe-Juan (France)
Watteau, Antoine (1684-1721) Signature du contrat de mariage et danse à la campagne (Marriage Contract and Country Dance) c.1711 Oil on canvas, 47 × 55 cm Museo del Prado, Madrid Known as a painter of “fêtes galantes”, Watteau combines a depiction of…
Watteau, Antoine (1684-1721) La Proposition embarrassante (Embarrasing Proposal) 1715–1716 Oil on canvas, 65 × 84.5 cm Hermitage Museum, Saint Petersburg Watteau was the first 18th-century French artist to create something totally new in his work, something previously unknown, in despite of the…
Fragonard, Jean-Honoré (1732-1806) Le Retour du troupeau (Return of the Drove) c.1768–1770 Oil on canvas, 64.1 x 80 cm Worcester Art Museum, Worcester
Watteau, Antoine (1684-1721) La Boudeuse (The Capricious Girl) c.1718 Oil on canvas, 42 × 34 cm Hermitage Museum, Saint Petersburg When Watteau was elected a member of the French Academy of Arts, a term was specially invented to describe the kind of…