Van Dyck, Anthony (1599-1641) Betrayal of Christ c.1618–1620 Oil on canvas, 141.92 x 113.3 cm Minneapolis Institute of Arts, Minneapolis Compare: Van Dyck, Anthony (1599-1641) The Betrayal of Christ c.1618–1620 Bristol Museum & Art Gallery, Bristol
Van Dyck, Anthony (1599-1641) The Betrayal of Christ c.1618–1620 Oil on canvas, 265.6 x 221.6 cm Bristol Museum & Art Gallery, Bristol Compare: Van Dyck, Anthony (1599-1641) Betrayal of Christ c.1618–1620 Minneapolis Institute of Arts, Minneapolis
Bosch, Hieronymus (c.1450-1516) Death and the Miser c.1485–1490 Oil on panel, 93 x 31 cm National Gallery of Art, Washington A naked man with ghostly white skin sits upright in a canopied bed set in a narrow room in this tall,…
Lotto, Lorenzo (1480-1557) Allegoria della Virtù e del Vizio (Allegory of Virtue and Vice) 1505 Oil on panel, 56.5 x 42.2 cm National Gallery of Art, Washington Set on a strip of land under a cloud-filled sky and in front of…
Uccello, Paolo (1397-1475) Caccia notturna (The Hunt in the Forest) c.1465–1470 Tempera and oil, with traces of gold, on panel, 73.3 x 177 cm Ashmolean Museum, Oxford
Ingres, Jean Auguste Dominique (1780-1867) La Vénus couchée d’Urbino, d’après le Titien (Reclining Venus of Urbino, after Titian) 1822 Oil on canvas, 116 x 168 cm Walters Art Museum, Baltimore Compare: Tiziano (c.1488-1576) Venere di Urbino 1538 Galleria degli Uffizi, Firenze
Bruegel the Elder, Pieter (c.1525-1569) The Rabbit Hunt 1560 Etching, 22.1 x 29 cm Cleveland Museum of Art, Cleveland In this etching considered the artist’s only autograph print, Pieter Bruegel the Elder replicated the graphic vocabulary of dots and dashes of…
Tintoretto, Jacopo (1518-1594) La conversione di san Paolo (The Conversion of Saint Paul) c.1544 Oil on canvas, 152.7 x 236.3 cm National Gallery of Art, Washington Before he became known as Saint Paul, Saul was a persecutor of Christians. This…