Millais, John Everett (1829-1896) Leisure Hours 1864 Oil on canvas, 88.9 × 118.1 cm Detroit Institute of Arts, Detroit Anne and Marion Pender were the daughters of Sir John Pender, a wealthy textile merchant from Glasgow. The girls’ identical red velvet…
Turner, Joseph Mallord William (1775-1851) The Leader Sea Piece 1809 Etching and mezzotint printed in brown ink on wove paper, 17.5 × 25.7 cm Detroit Institute of Arts, Detroit
(1593-c.1653) The artist’s works: Danae c.1612 Saint Louis Art Museum, St. Louis Autoritratto come martire c.1615 Private collection Autoritratto come Santa Caterina d’Alessandria c.1615–1617 National Gallery, London Autoritratto come suonatrice di liuto c.1615–1618 Wadsworth Atheneum, Hartford Giuditta e la sua ancella c.1618–1619 Galleria…
Correggio (c.1489-1534) Ecce Homo (Christ presented to the People) c.1525–1530 Oil on poplar, 99.7 x 80 cm National Gallery, London Correggio shows Christ bound and crowned with thorns at the moment when he is condemned to be crucified by Pontius Pilate.…
Parmigianino (1503-1540) Matrimonio mistico di santa Caterina (Mystic Marriage of Saint Catherine) c.1527–1531 Oil on wood, 74.2 x 57.2 cm National Gallery, London The infant Christ turns to look back at his mother as he places a ring on Saint Catherine’s finger.…
Parmigianino (1503-1540) Ritratto di un collezionista (Portrait of a Collector) c.1523 Oil on wood, 89.5 x 63.8 cm National Gallery, London When listed in the inventory of Ranuccio Farnese in 1587 this picture was titled Portrait of a Priest, but there…
Parmigianino (1503-1540) Visione di san Girolamo (Vision of Saint Jerome) 1526–1527 Oil on poplar, 342.9 x 148.6 cm National Gallery, London This altarpiece is the greatest work that Parmigianino painted in Rome. It was commissioned by Maria Bufolina for a burial…
Millais, John Everett (1829-1896) Portia 1886 Oil on canvas, 125.1 x 83.8 cm Metropolitan Museum of Art, New York In Shakespeare’s play The Merchant of Venice, the resourceful heroine Portia disguises herself in lawyer’s robes. Her intention is to outwit the…
Millais, John Everett (1829-1896) The Return of the Dove to the Ark 1851 Oil on canvas, 88.2 x 54.9 cm Ashmolean Museum, Oxford
Millais, John Everett (1829-1896) Mariana 1851 Oil on mahogany, 59.7 x 49.5 cm Tate Britain, London When it was first exhibited at the Royal Academy in 1851, this picture was accompanied by the following lines from Tennyson‘s Mariana (1830): She only said,…