Murillo, Bartolomé Esteban (1617-1682) Virgen con el Niño (Virgin and Child) 1670s Oil on canvas, 165.7 x 109.2 cm Metropolitan Museum of Art, New York Like Zurbarán and Velázquez, Murillo was trained in Seville, where he spent his whole career. Often referred…
Murillo, Bartolomé Esteban (1617-1682) Crucifixión (Crucifixion) c.1675 Oil on canvas, 50.8 x 33 cm Metropolitan Museum of Art, New York This oil sketch helped Murillo to prepare a large painting that is today in the Museo del Prado in Madrid. The artist’s…
Whistler, James Abbott McNeill (1834-1903) George W. Vanderbilt 1897–1903 Oil on canvas, 208.6 x 91.1 cm National Gallery of Art, Washington A close friend of Whistler, George Washington Vanderbilt II commissioned this full-length portrait in 1897 to hang in Biltmore House,…
Whistler, James Abbott McNeill (1834-1903) Gold and Brown: Self-Portrait c.1896–1898 Oil on canvas, 62.5 x 46.8 cm National Gallery of Art, Washington Known for his biting wit, extravagant style, and personal eccentricities, the publicity-conscious Whistler used self-portraiture as a means to…
Whistler, James Abbott McNeill (1834-1903) Alice Butt c.1895 Oil on canvas, 51.7 x 38.1 cm National Gallery of Art, Washington Little is known about this painting’s subject, whom Whistler identified as “a little child called ‘Alice Butt‘—charming—quite Italian in type.” Set…
Whistler, James Abbott McNeill (1834-1903) Mother of Pearl and Silver: The Andalusian c.1888 (?)-1900 Oil on canvas, 191.5 x 89.8 cm National Gallery of Art, Washington Ethel Philip, Whistler‘s sister-in-law and a favorite subject of the artist, whose likeness appears in…
Whistler, James Abbott McNeill (1834-1903) Grey and Silver: Chelsea Wharf c.1864–1868 Oil on canvas, 61 x 46 cm National Gallery of Art, Washington See also: • Chelsea (London)
Whistler, James Abbott McNeill (1834-1903) Symphony in White, No. 1: The White Girl 1861–1863, 1872 Oil on canvas, 213 x 107.9 cm National Gallery of Art, Washington When Whistler submitted The White Girl to the Paris Salon in 1863, the tradition–bound…
Whistler, James Abbott McNeill (1834-1903) Wapping 1860–1864 Oil on canvas, 72 x 101.8 cm National Gallery of Art, Washington We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a…
Whistler, James Abbott McNeill (1834-1903) The Lime Burner 1859 Etching and drypoint on laid paper, 25.4 x 17.8 cm Victoria and Albert Museum, London During his formative years in Paris in the 1850s, Whistler was influenced by the injunctions of the…