Renoir, Pierre-Auguste (1841-1919) Piazza San Marco 1881 Oil on canvas, 89.54 x 104.46 cm Minneapolis Institute of Art, Minneapolis See also: • Piazza San Marco (Venezia)
Gonzalès, Eva (1849-1883) Femme à l’éventail (Lady with a Fan) c.1869–1870 Pastel on paper affixed to board, 37.47 x 45.4 cm Minneapolis Institute of Art, Minneapolis
Gonzalès, Eva (1849-1883) Pommes d’Api (Lady Apples) 1877–1878 Pastel on paper mounted on canvas, 37.47 x 45.4 cm Minneapolis Institute of Art, Minneapolis
Valadon, Suzanne (1865-1938) La poupée abandonnée (The Abandoned Doll) 1921 Oil on canvas, 129 x 81 cm National Museum of Women in the Arts, Washington In The Abandoned Doll, Suzanne Valadon portrays an intimate scene with a strong psychological mood. Seated…
Morisot, Berthe (1841-1895) La cage (The Cage) 1885 Oil on canvas, 50.48 x 38.1 cm National Museum of Women in the Arts, Washington Painted in 1885, The Cage typifies Berthe Morisot’s mature style, pushing the boundaries of Impressionism. About 1880, Morisot,…
Gonzalès, Eva (1849-1883) Jeune Fille aux cerises (Girl with Cherries) c.1870 Oil on canvas, 56.2 × 47.4 cm Art Institute of Chicago, Chicago The daughter of an affluent and cultured family, Eva Gonzalès was Édouard Manet’s first and only official pupil. Girl…
Gonzalès, Eva (1849-1883) La modiste (The Milliner) c.1877 Pastel on canvas, 45 x 37 cm Art Institute of Chicago, Chicago Eva Gonzalès’s subjects were most often women engaged in activities such as reading, knitting, or filling a vase with flowers. This…
Alma-Tadema, Lawrence (1836-1912) Sappho and Alcaeus 1881 Oil on panel, 66 × 122 cm Walters Art Museum, Baltimore See also: • Alcaeus (c.620 BC-c.580 BC) | Sappho (7th-6th century BC)
Alma-Tadema, Lawrence (1836-1912) Spring 1894 Oil on canvas, 178.4 × 80.3 cm Getty Center, Los Angeles Barefoot young women and children adorned with flower crowns and playing musical instruments lead a procession through a city built of marble. Splashes of color,…