Van Dyck, Anthony (1599-1641) Isabella Brant 1621 Oil on canvas, 153 x 120 cm National Gallery of Art, Washington Isabella Brant was the first wife of the Antwerp master Peter Paul Rubens, whom she married shortly after his return from Italy…
Van Dyck, Anthony (1599-1641) Saint Rosalie Interceding for the Plague-stricken of Palermo 1624 Oil on canvas, 99.7 x 73.7 cm Metropolitan Museum of Art, New York Van Dyck was in Palermo, Sicily, when a plague broke out and the city was quarantined.…
Van Dyck, Anthony (1599-1641) Virgin and Child with Saint Catherine of Alexandria c.1630 Oil on canvas, 109.2 x 90.8 cm Metropolitan Museum of Art, New York The infant Jesus responds with playful enthusiasm to an adoring Saint Catherine, a princess identified by…
Van Dyck, Anthony (1599-1641) Self-Portrait c.1620–1621 Oil on canvas, 119.7 x 87.9 cm Metropolitan Museum of Art, New York Lifting a languid hand to his chin, the young Van Dyck presents himself as an aristocrat, excluding any signs of his trade…
Bosch, Hieronymus (c.1450-1516) Death and the Miser c.1485–1490 Oil on panel, 93 x 31 cm National Gallery of Art, Washington A naked man with ghostly white skin sits upright in a canopied bed set in a narrow room in this tall,…
Bosch, Hieronymus (c.1450-1516) The Adoration of the Magi c.1475 Oil and gold on oak, 71.1 x 56.5 cm Metropolitan Museum of Art, New York This tranquil scene, with its tunneling perspective and sensitively rendered faces, is characteristic of Bosch’s works before…
Pinturicchio (c.1454-1513) Putto con ghirlande (Putto with garlands) c.1509 Fresco, transferred to canvas and attached to wood panels, 94 × 108 cm Metropolitan Museum of Art, New York This fresco was part of a series which decorated the palace belonging to Pandolfo…
Pontormo (1494-1557) Ritratto di Maria Salviati con Giulia de’ Medici (Portrait of Maria Salviati de’ Medici and Giulia de’ Medici) c.1539 Oil on panel, 88 x 71.3 cm Walters Art Museum, Baltimore See also: • Medici, Giulia de’ (c.1535-c.1588) | Salviati, Maria…
Pontormo (1494-1557) Alabardiere (Portrait of a Halberdier) 1529–1530 Oil on panel transferred to canvas, 95.3 x 73 cm Getty Center, Los Angeles
Rosso Fiorentino (1495-1540) Cristo morto compianto da quattro angeli (The Dead Christ with Four Angels) c.1524–1527 Oil on panel, 133.4 x 104.1 cm Museum of Fine Arts, Boston Rosso Fiorentino was one of the primary practitioners of the highly refined and decorative…