Guardi, Francesco (1712-1793) Scuola di San Marco (with Loggia Erected for Benediction of Pope Pius VI May 19, 1782, Campo San Zanipolo) c.1782 Oil on canvas, 38.7 x 32.4 cm Rhode Island School of Design, Providence See also: • Venezia (Italia)
Guardi, Francesco (1712-1793) Salone principale del Ridotto, Venezia (Main Salon in the Ridotto, Venice) c.1765 Oil on canvas, 31.4 x 51.1 cm Rhode Island School of Design, Providence See also: • Venezia (Italia)
Bellotto, Bernardo (1721-1780) Il Ponte di Rialto (The Rialto Bridge) 2nd quarter of the 18th Century Oil on canvas, 119 × 154 cm Musée du Louvre, Paris See also: • Venezia (Italia)
Dolo in Art: Bellotto, Bernardo (1721-1780) La chiusa di Dolo c.1745 Yale University Art Gallery, New Haven Guardi, Francesco (1712-1793) Ponte a Dolo c.1780 Museum of Fine Arts, Budapest See also: • Cities | Italia
Guardi, Francesco (1712-1793) Veduta sul Canale di Cannaregio, Venezia (View on the Cannaregio Canal, Venice) c.1775–1780 Oil on canvas, 50 x 76.8 cm National Gallery of Art, Washington Compare: Guardi, Francesco (1712-1793) Veduta del Canale di Cannaregio a Venezia c.1770 Frick…
Guardi, Francesco (1712-1793) Veduta del Canale di Cannaregio a Venezia (View of the Cannaregio Canal in Venice) c.1770 Oil on canvas, 48.9 × 77.5 cm Frick Collection, New York Compare: Guardi, Francesco (1712-1793) Veduta sul Canale di Cannaregio, Venezia c.1775–1780 National…
Canaletto (1697-1768) Capriccio: Un palazzo con cortile sulla laguna (Capriccio: A Palace with a Courtyard by the Lagoon) c.1750–1755 Pen, ink and brush on paper, 26.9 x 42.1 cm Cleveland Museum of Art, Cleveland Privileged young Europeans embarking on the Grand…
Bellotto, Bernardo (1721-1780) Piazza San Marco, Venezia (Piazza San Marco, Venice) c.1740 Oil on canvas, 136.2 x 232.5 cm Cleveland Museum of Art, Cleveland This view of the Piazza San Marco, Venice shows Bellotto‘s devotion to faithful observation. At the left…
Guardi, Francesco (1712-1793) Piazza San Marco late 1760s Oil on canvas, 68.9 x 85.7 cm Metropolitan Museum of Art, New York This view can be compared to Canaletto’s of the same location painted forty years prior. Guardi’s technique is far looser…
Sargent, John Singer (1856-1925) The Bridge of Sighs c.1903–1904 Watercolor on paper, 25.4 x 35.6 cm Brooklyn Museum, New York Sargent used multiple techniques to create light and highlights in this work. The most obvious is the application of white impasto…