Guardi, Francesco (1712-1793) Salone principale del Ridotto, Venezia (Main Salon in the Ridotto, Venice) c.1765 Oil on canvas, 10.2 x 26 cm Rhode Island School of Design, Providence See also: • Venezia (Italia)
Salone principale del Ridotto (c.1765)
Tag: Venezia
Il Ponte di Rialto
Bellotto, Bernardo (1721-1780) Il Ponte di Rialto (The Rialto Bridge) 2nd quarter of the 18th Century Oil on canvas, 119 × 154 cm Musée du Louvre, Paris See also: • Venezia (Italia)
Dolo (Italia)
Dolo in Art: Bellotto, Bernardo (1721-1780) La chiusa di Dolo c.1745 Yale University Art Gallery, New Haven Guardi, Francesco (1712-1793) Ponte a Dolo c.1780 Museum of Fine Arts, Budapest See also: • Cities | Italia
Veduta sul Canale di Cannaregio, Venezia (c.1775-1780)
Guardi, Francesco (1712-1793) Veduta sul Canale di Cannaregio, Venezia (View on the Cannaregio Canal, Venice) c.1775–1780 Oil on canvas, 50 x 76.8 cm National Gallery of Art, Washington Compare: Guardi, Francesco (1712-1793) Veduta del Canale di Cannaregio a Venezia c.1770 Frick…
Veduta del Canale di Cannaregio a Venezia (c.1770)
Guardi, Francesco (1712-1793) Veduta del Canale di Cannaregio a Venezia (View of the Cannaregio Canal in Venice) c.1770 Oil on canvas, 48.9 × 77.5 cm Frick Collection, New York Compare: Guardi, Francesco (1712-1793) Veduta sul Canale di Cannaregio, Venezia c.1775–1780 National…
Capriccio: Un palazzo con cortile sulla laguna (c.1750-1755)
Canaletto (1697-1768) Capriccio: Un palazzo con cortile sulla laguna (Capriccio: A Palace with a Courtyard by the Lagoon) c.1750–1755 Pen, ink and brush on paper, 26.9 x 42.1 cm Cleveland Museum of Art, Cleveland Privileged young Europeans embarking on the Grand…
Piazza San Marco, Venezia (c.1740)
Bellotto, Bernardo (1721-1780) Piazza San Marco, Venezia (Piazza San Marco, Venice) c.1740 Oil on canvas, 136.2 x 232.5 cm Cleveland Museum of Art, Cleveland This view of the Piazza San Marco, Venice shows Bellotto‘s devotion to faithful observation. At the left…
Piazza San Marco (1760s)
Guardi, Francesco (1712-1793) Piazza San Marco late 1760s Oil on canvas, 68.9 x 85.7 cm Metropolitan Museum of Art, New York This view can be compared to Canaletto’s of the same location painted forty years prior. Guardi’s technique is far looser…
The Bridge of Sighs (c.1903-1904)
Sargent, John Singer (1856-1925) The Bridge of Sighs c.1903–1904 Watercolor on paper, 25.4 x 35.6 cm Brooklyn Museum, New York Sargent used multiple techniques to create light and highlights in this work. The most obvious is the application of white impasto…
Venetian Bead Stringers (1880 or 1882)
Sargent, John Singer (1856-1925) Venetian Bead Stringers 1880 or 1882 Oil on canvas, 66.99 x 78.1 cm Buffalo AKG Art Museum, Buffalo John Singer Sargent was fond of making studies in watercolor or oil and often sketched the everyday scenes or…