Tag: Venezia

Maud Franklin

(1857–1939) Maud in Art: Whistler, James (1834-1903) Arrangement in Yellow and Gray c.1876–1878 Rijksmuseum, Amsterdam     Whistler, James (1834-1903) The Yellow Room c.1883–1884 Metropolitan Museum of Art, New York   Born January 9 1857 Bicester (England) Died November 18 1939 near Cannes (France)…

Piazza San Marco a Venezia (after 1776)

Guardi, Francesco (1712-1793) Piazza San Marco a Venezia (St. Mark’s Square in Venice) after 1776 Oil on canvas, 29.5 × 44.7 cm Kunsthistorisches Museum, Vienna See also: • Piazza San Marco (Venezia)

Veduta dell’Isola di San Giorgio Maggiore (1765-1775)

Guardi, Francesco (1712-1793) Veduta dell’Isola di San Giorgio Maggiore (View of the Island of San Giorgio Maggiore) 1765–1775 Oil on canvas, 43 x 61 cm Hermitage Museum, Saint Petersburg Master of the townscape -known as vedute in Italian- Guardi painted many…

Un porticato: paesaggio veneziano (18th century)

Guardi, Francesco (1712-1793) Un porticato: paesaggio veneziano (An Arcade: Venetian Landscape) 18th century Oil on canvas, 40 x 31 cm Musée du Louvre, Paris Artwork recovered after World War II, retrieved by the Office des Biens et Intérêts Privés (OBIP); to…

La Punta della Dogana a Venezia (18th century)

Guardi, Francesco (1712-1793) La Punta della Dogana a Venezia (The Punta della Dogana in Venice) 18th century Brown wash, pen on brown paper, 14.8 x 29.9 cm Museo del Prado, Madrid The drawing, whose surface is somewhat lost, is considered original…

Arm of Eve (1507)

Dürer, Albrecht (1471-1528) Arm of Eve 1507 Point of brush and gray and black wash, brush and gray and black wash, heightened with white gouache, 34.4 x 26.7 cm Cleveland Museum of Art, Cleveland The blue paper that Dürer used to…

The Campo Santo, Venice (1842)

Turner, Joseph Mallord William (1775-1851) The Campo Santo, Venice 1842 Oil on canvas, 62.2 x 92.7 cm Toledo Museum of Art, Toledo Venice is radiant, if somewhat shabby, in Joseph Mallord William Turner’s view north across the Venetian Lagoon. The city…

Nocturne: blue and gold, St. Mark’s, Venice (1880)

Whistler, James Abbott McNeill (1834-1903) Nocturne: blue and gold, St. Mark’s, Venice 1880 Oil on canvas, 75.4 x 90.5 cm National Museum Wales, Cardiff Following his bankruptcy in 1879, Whistler spent a year in Venice where he concentrated on etchings and…

San Giorgio Maggiore, crépuscule (1908)

Monet, Claude (1840-1926) San Giorgio Maggiore, crépuscule (San Giorgio Maggiore, Twilight) 1908 Oil on canvas, 65.2 x 92.4 cm National Museum Wales, Cardiff A view of the monastery island of San Giorgio, painted from the south-eastern end of Venice. On the right…