Carracci, Annibale (1560-1609) Paesaggio con la Fuga in Egitto (Landscape with the Flight into Egypt) c.1604 Oil on canvas, 122 x 230 cm Galleria Doria Pamphilj, Roma It is the leading element of the so-called “Aldobrandini Lunettes”, thanks to which the…
Carracci, Annibale (1560-1609) Pietà con le tre Marie (The Dead Christ Mourned, The Three Maries) c.1604 Oil on canvas, 92.8 x 103.2 cm National Gallery, London This is perhaps the most poignant image in the National Gallery’s collection of the pietà…
Carracci, Annibale (1560-1609) Madonna col Bambino, Santa Lucia e San Giovannino (The Madonna and Child with Saint Lucy and the Young Saint John the Baptist) c.1587–1588 Oil on panel, 78.8 x 62.7 cm Private collection
Carracci, Annibale (1560-1609) Vergine orante (The Virgin at prayer) c.1582–1585 Oil on canvas, 62.3 x 41.6 cm Private collection
Carracci, Annibale (1560-1609) Incoronazione della Vergine (The Coronation of the Virgin) after 1595 Oil on canvas, 117.8 x 141.3 cm Metropolitan Museum of Art, New York This majestic picture—a window onto heaven—was painted for Cardinal Pietro Aldobrandini (1571–1621) following the artist’s…
Carracci, Annibale (1560-1609) Pietà (The Lamentation) 1599–1600 Oil on canvas, 156 × 149 cm Museo di Capodimonte, Napoli
Carracci, Annibale (1560-1609) Assunzione della Vergine (The Assumption of the Virgin) 1588–1590 Oil on canvas, 130 × 97 cm Museo del Prado, Madrid Annibale Carracci’s Assumption of the Virgin now in the Museo del Prado is first mentioned in the so-called…
Carracci, Annibale (1560-1609) Assunzione della Vergine (Assumption of the Virgin) 1600–1602 Oil on wood, 245 × 155 cm Cappella Cerasi, Santa Maria del Popolo, Roma
Tiziano (c.1488-1576) Madonna delle ciliegie (Cherry Madonna) c.1516–1518 Oil transferred from canvas to wood, 81.6 × 100.2 × 1.1 cm Kunsthistorisches Museum, Vienna On the left St. Joseph, on the right St. John the Boy and St. Zacharias. Similar to the…
Cranach, Lucas the Elder (1472-1553) Crucifixion of Christ c.1500–1501 Oil on lime, 58.5 × 45 cm Kunsthistorisches Museum, Vienna The small-format panel, which was probably used for private devotion, dates from Cranach‘s first known creative period, which the artist spent in…