Zurbarán, Francisco de (1598-1664) Virgen Niña (Childhood of the Virgin) 1658–1660 Oil on canvas, 73.5 x 53.5 cm Hermitage Museum, Saint Petersburg Francisco de Zurbarán, one of the leading painters of the Spanish Golden Age, played an important role in…
Guercino (1591-1666) Matrimonio mistico di santa Caterina (Mystical Marriage of St Catherine of Alexandria) c.1620 Oil on canvas, 89 x 75.7 cm Gemäldegalerie, Berlin Typical of Guercino‘s early, pre-Roman phase are the very delicate gradations of the main sections, shimmering…
Guercino (1591-1666) San Luca dipinge la Vergine (St Luke Displaying a Painting of the Virgin) 1652–1653 Oil on canvas, 220.98 x 180.34 cm Nelson-Atkins Museum, Kansas City
Guercino (1591-1666) La vergine con san Pietro piangente (St Peter Weeping before the Virgin) 1647 Oil on canvas, 122 x 159 cm Musée du Louvre, Paris
Guercino (1591-1666) Madonna coi santi protettori di Modena (Virgin and Child with Four Saints) 1651 Oil on canvas, 332 x 230 cm Musée du Louvre, Paris See also: • Modena (Italia)
Guercino (1591-1666) Riposo nella fuga in Egitto (Rest on the Flight into Egypt) 1624 Oil on canvas, diameter 68.5 cm Cleveland Museum of Art, Cleveland Giovanni Francesco Barbieri (called il Guercino) created Rest on the Flight to Egypt as a…
Guercino (1591-1666) Assunzione della Vergine (Assumption of the Virgin) 1st half of the 17th century Oil on canvas, 307 x 332 cm Hermitage Museum, Saint Petersburg
Guercino (1591-1666) Deposizione nel sepolcro (The Entombment) 1656 Oil on canvas, 146.7 x 221.2 cm Art Institute of Chicago, Chicago Guercino’s career is unusually well documented, in part due to the survival of his account books, which reveal that he…
Guercino (1591-1666) Cristo risorto appare alla madre (The Resurrected Christ Appears to the Virgin) 1629 Oil on canvas, 260 x 179.5 cm Civica Pinacoteca Il Guercino, Cento Wrapped in a metallic-colored drapery, beautiful and solemn in his gait, with the flag…
Guercino (1591-1666) Madonna del cardellino (Madonna and Child with an Escaped Goldfinch) early 1630s Red chalk on paper, 26.3 x 20.3 cm National Gallery of Art, Washington