Tag: Virgin Mary

Processione al Calvario (c.1504-1505)

Raffaello (1483-1520) Processione al Calvario (The Procession to Calvary) c.1504–1505 Oil on poplar, 24.4 x 85.5 cm National Gallery, London This is one of three scenes from the predella of Raphael’s Colonna Altarpiece, painted for the convent of S. Antonio da Padua…

Pietà (c.1503-1505)

Raffaello (1483-1520) Pietà c.1503–1505 Oil on poplar panel, 23.6 x 28.8 cm Isabella Stewart Gardner Museum, Boston Not satisfied with a single Raphael painting, Isabella Stewart Gardner waited just two years before purchasing her second work by the artist. This small panel,…

Tondo Doni (1505-1506)

Michelangelo (1475-1564) Tondo Doni (The Holy Family) 1505–1506 Tempera grassa on wood, diameter 120 cm Galleria degli Uffizi, Firenze Michelangelo painted this Holy Family for a Florentine merchant, Agnolo Doni, whose prestigious marriage to Maddalena Strozzi in 1504 took place in…

Madonna della Scala (c.1490)

Michelangelo (1475-1564) Madonna della Scala (Madonna of the Stairs) c.1490 Marble bas-relief, 56.7 x 40.1 cm Casa Buonarroti, Firenze The Madonna della scala, or Madonna of the Stairs, of which no mention was made during Michelangelo’s lifetime, was cited for the…

Pietà (1498-1499)

Michelangelo (1475-1564) Pietà 1498–1499 Carrara marble, 174 x 195 cm San Pietro, Vaticano Michelangelo‘s only signature, carved across the Virgin’s sash: “Michael. Agelus. Bonarotus Florent Faciebat”. See also: Turner, Joseph (1775-1851) A Copy of Michelangelo’s Pieta 1827 Tate Britain, London    

Casa de Nazareth (c.1640)

Zurbarán, Francisco de (1598-1664) Casa de Nazareth (Christ and the Virgin in the House at Nazareth) c.1640 Oil on canvas, 165 x 218.2 cm Cleveland Museum of Art, Cleveland Stories of Christ’s childhood and adolescence became increasingly popular during the Counter-Reformation…

Nacimiento de la Virgen (c.1627)

Zurbarán, Francisco de (1598-1664) Nacimiento de la Virgen (The Birth of the Virgin) c.1627 Oil on canvas, 141 x 108.6 cm Norton Simon Museum, Pasadena Just as striking as Zurbarán’s color scheme are his rich, descriptive treatment of the drapery, and…

Virgen con el Niño (1670s)

Murillo, Bartolomé Esteban (1617-1682) Virgen con el Niño (Virgin and Child) 1670s Oil on canvas, 165.7 x 109.2 cm Metropolitan Museum of Art, New York Like Zurbarán and Velázquez, Murillo was trained in Seville, where he spent his whole career. Often referred…