Raffaello (1483-1520) Pietà c.1503–1505 Oil on poplar panel, 23.6 x 28.8 cm Isabella Stewart Gardner Museum, Boston This panel was originally part of the base (predella) of the Colonna Altarpiece (Pala Colonna). Not satisfied with a single Raphael painting, Isabella Stewart Gardner…
Raffaello (1483-1520) La Belle Jardinière (Madonna and Child with Saint John the Baptist) c.1507–1508 Oil on panel, 122 x 80 cm Musée du Louvre, Paris
Michelangelo (1475-1564) Tondo Doni (The Holy Family) 1505–1506 Tempera grassa on wood, diameter 120 cm Galleria degli Uffizi, Firenze Michelangelo painted this Holy Family for a Florentine merchant, Agnolo Doni, whose prestigious marriage to Maddalena Strozzi in 1504 took place in…
Michelangelo (1475-1564) Madonna della Scala (Madonna of the Stairs) c.1490 Marble bas-relief, 56.7 x 40.1 cm Casa Buonarroti, Firenze The Madonna della scala, or Madonna of the Stairs, of which no mention was made during Michelangelo’s lifetime, was cited for the…
Michelangelo (1475-1564) Pietà 1498–1499 Carrara marble, 174 x 195 cm San Pietro, Vaticano Michelangelo‘s only signature, carved across the Virgin’s sash: “Michael. Agelus. Bonarotus Florent Faciebat”. See also: Turner, Joseph (1775-1851) A Copy of Michelangelo’s Pieta 1827 Tate Britain, London
Zurbarán, Francisco de (1598-1664) Casa de Nazareth (Christ and the Virgin in the House at Nazareth) c.1640 Oil on canvas, 165 x 218.2 cm Cleveland Museum of Art, Cleveland Stories of Christ’s childhood and adolescence became increasingly popular during the Counter-Reformation…
Zurbarán, Francisco de (1598-1664) Nacimiento de la Virgen (The Birth of the Virgin) c.1627 Oil on canvas, 141 x 108.6 cm Norton Simon Museum, Pasadena Just as striking as Zurbarán’s color scheme are his rich, descriptive treatment of the drapery, and…
Delacroix, Eugène (1798-1863) Pietà c.1850 Oil on canvas, 35.6 x 27 cm Nationalgalleriet, Oslo
Murillo, Bartolomé Esteban (1617-1682) Virgen con el Niño (Virgin and Child) 1670s Oil on canvas, 165.7 x 109.2 cm Metropolitan Museum of Art, New York Like Zurbarán and Velázquez, Murillo was trained in Seville, where he spent his whole career. Often referred…
Murillo, Bartolomé Esteban (1617-1682) La Anunciación (Annunciation) c.1650 Oil on canvas, 183 x 225 cm Museo del Prado, Madrid The Archangel Gabriel has descended from the heavens and kneels before Mary to announce the birth of Christ. The Angel holds some white…