Bruegel the Elder, Pieter (c.1525-1569) The Beggars (The Cripples) 1568 Oil on panel, 18.5 x 21.5 cm Musée du Louvre, Paris The real meaning of the scene, in particular the meaning of the motif of fox tails (a motif dear to…
The Beggars (1568)
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The Peasant Wedding (c.1568)
Bruegel the Elder, Pieter (c.1525-1569) The Peasant Wedding c.1568 Oil on oak, 113 × 164 × 3.2 cm Kunsthistorisches Museum, Vienna The apparent “snapshot” of this picture is in fact carefully composed. Dispensing with allegorical meaning the painting is a realistic…
Le Christ jaune (1889)
Gauguin, Paul (1848-1903) Le Christ jaune (The Yellow Christ) 1889 Oil on canvas, 92.07 x 73.34 cm Buffalo AKG Art Museum, Buffalo The Symbolists, who emerged during the 1880s, were weary of modern society and sought escape from reality. They began to…
Sepellimento di Santa Lucia (1608)
Caravaggio (1571-1610) Sepellimento di Santa Lucia (Burial of Saint Lucy) 1608 Oil on canvas, 408 x 300 cm Santa Lucia alla Badia, Siracusa
Marta e Maria Maddalena (c.1598)
Caravaggio (1571-1610) Marta e Maria Maddalena (Martha and Mary Magdalene) c.1598 Oil and tempera on canvas, 100 x 134.5 cm Detroit Institute of Arts, Detroit “There is a Michelangelo da Caravaggio who is doing extraordinary things in Rome.” This quote by a…
Suonatore di liuto (c.1595)
Caravaggio (1571-1610) Suonatore di liuto (Lute Player) c.1595 Oil on canvas, 96 x 121 cm Badminton House and Estate, Gloucestershire, England Compare: Caravaggio (1571-1610) Suonatore di liuto 1595–1596 Hermitage Museum, Saint Petersburg Caravaggio (1571-1610) Suonatore di liuto c.1595–1596 Private collection
Fleurs (1868)
Bazille, Frédéric (1841-1870) Fleurs (Flowers) 1868 Oil on canvas, 130 x 97 cm Musée de Grenoble, Grenoble Coming from a large Protestant family in Montpellier, Frédéric Bazille was destined for a career as a doctor. However, in 1862 he entered Gleyre’s studio…
Les remparts d’Aigues-Mortes (1867)
Bazille, Frédéric (1841-1870) Les remparts d’Aigues-Mortes (The Ramparts at Aigues-Mortes) 1867 Oil on canvas, 46 x 75.50 cm Musée Fabre, Montpellier Although he never painted the coastline, Bazille was fascinated by the play of light and water, to which he devoted most…
Porte de la Reine à Aigues-Mortes (1867)
Bazille, Frédéric (1841-1870) Porte de la Reine à Aigues-Mortes (Porte de la Reine at Aigues-Mortes) 1867 Oil on canvas, 80.6 x 99.7 cm Metropolitan Museum of Art, New York During the late spring of 1867 Bazille visited the town of Aigues-Mortes near…
Mauresque (1869)
Bazille, Frédéric (1841-1870) Mauresque (Woman in a Moorish Costume) 1869 Oil on canvas, 99.7 x 59 cm Norton Simon Museum, Pasadena Lise Tréhot, Renoir’s first mistress, model, and muse, is here depicted with quiet eroticism by that artist’s friend and colleague, Bazille.…