Lippi, Filippino (1457-1504) Pietà (The Dead Christ Mourned by Nicodemus and Two Angels) c.1500 Oil on panel, 17.5 x 33.3 cm National Gallery of Art, Washington
Masolino da Panicale (c.1383-c.1440) L’Arcangelo Gabriele (The Archangel Gabriel) c.1430 Tempera on poplar panel, 76.6 × 57.8 cm National Gallery of Art, Washington Shown from the knees up, a winged angel with blond hair and pale skin faces our right in profile…
Masolino da Panicale (c.1383-c.1440) La Vergine Annunciata (The Virgin Annunciate) c.1430 Tempera on panel, 76 × 57 cm National Gallery of Art, Washington Inscription: lower left on the Virgin’s book: Ecce Virgo [con]cipiet [et] p / pariet fili[u]m / et uocabit /…
Masolino da Panicale (c.1383-c.1440) Annunciazione (The Annunciation) c.1423–1424 Tempera on panel, 148.8 x 115.1 cm National Gallery of Art, Washington Inscription: on the Virgin’s prayerbook: virgo / [c]oncipiet / [e]t p[a]ri[et] / fili[um et vocabitur nomen eius] em[m]anuel / butirum et…
Masaccio (1401-1428) Madonna dell’Umiltà (The Madonna of Humility) 1423–1424 Tempera on panel, 105.6 x 54.1 cm National Gallery of Art, Washington A woman holding a nude baby boy sits on a blue patterned pillow on the floor in front of a…
Verrocchio, Andrea del (1435-1488) Putto in equilibrio su un globo (Putto Poised on a Globe) c.1480 Unbaked clay, 75 x 38.3 x 23 cm National Gallery of Art, Washington Poised tiptoe on a globe, this chubby cherub seems to pirouette, inviting interest…
Verrocchio, Andrea del (1435-1488) Giuliano de’ Medici c.1475–1478 Terracotta, 61 x 66 x 28.3 cm National Gallery of Art, Washington Verrocchio, a favorite artist of the Medici, may have created this lively and commanding portrait on the occasion of a joust…
Ghirlandaio, Domenico (1448-1494) Madonna col Bambino (Madonna and Child) c.1470–1475 Tempera on panel transferred to hardboard, 70.8 x 48.9 cm National Gallery of Art, Washington Against a gold background, a blond woman is shown from the lap up, facing us as…
Perugino (c.1446-1523) Santa Maria Maddalena (Saint Mary Magdalene) c.1482–1485 Oil on panel transferred to canvas, 95 x 30.1 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of…
Perugino (c.1446-1523) Crocifissione (Crucifixion) c.1482–1485 Oil on panel transferred to canvas, 101.5 x 56.5 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of the most…