Perugino (c.1446-1523) Madonna col Bambino e un angelo (The Virgin and Child with an Angel) c.1496–1500 Oil and egg temera on poplar, 114 x 63.5 cm National Gallery, London This was the central panel of the predella of an altarpiece made for…
Perugino (c.1446-1523) Il battesimo di Cristo (The Baptism of Christ) 1500–1505 Tempera on panel, transferred to canvas, 27.3 × 46.4 cm Art Institute of Chicago, Chicago Perugino’s serene and decorous art was widely influential in his native region of Umbria and beyond,…
Perugino (c.1446-1523) San Girolamo penitente (Penitent St. Jerome) c.1502 Oil on olive wood, 29.7 × 22.5 cm Kunsthistorisches Museum, Vienna Attributed to Perugino (c.1446-1523) Perugino was one of the first Central Italian painters to experiment with complicated oil glazes. Inspired by the…
Perugino (c.1446-1523) Battesimo di Cristo (Baptism of Christ) c.1498–1500 Oil on olive wood, 30 × 23 x 2.2 cm Kunsthistorisches Museum, Vienna Perugino used his successful inventions again and again. This baptism goes back to his fresco in the Sistine Chapel. More…
Perugino (c.1446-1523) Santa Maria Maddalena (Saint Mary Magdalene) c.1482–1485 Oil on panel transferred to canvas, 95 x 30.1 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of…
Perugino (c.1446-1523) Crocifissione (Crucifixion) c.1482–1485 Oil on panel transferred to canvas, 101.5 x 56.5 cm National Gallery of Art, Washington Pietro Vannucci, called Perugino after the city in which he often lived, collaborated with other celebrated painters in one of the most…
Millais, John Everett (1829-1896) Leisure Hours 1864 Oil on canvas, 88.9 × 118.1 cm Detroit Institute of Arts, Detroit Anne and Marion Pender were the daughters of Sir John Pender, a wealthy textile merchant from Glasgow. The girls’ identical red velvet…