Gainsborough, Thomas (1727-1788) Landscape in Suffolk c.1748 Oil on canvas, 65 × 95 cm Kunsthistorisches Museum, Vienna In terms of motif and composition, the landscapes that the young Gainsborough painted in his native Suffolk are indebted to the Dutch landscape art…
Raffaello (1483-1520) Madonna del Prato (Madonna of the meadow) 1505–1506 Oil on poplar, 113 × 88.3 × 3.5 cm Kunsthistorisches Museum, Vienna Inscription on the hem of Mary’s dress with the year M.d.V. (perhaps also M.D.V.I. to be read) The group,…
Canaletto (1697-1768) La Riva degli Schiavoni a Venezia (The Riva degli Schiavoni in Venice) c.1724–1730 Oil on canvas, 46 × 63 × 2 cm Kunsthistorisches Museum, Vienna See also: • Venezia (Italia)
Dürer, Albrecht (1471-1528) The Virgin and Child with a Monkey c.1498 Engraving, 19.05 x 12.07 Buffalo AKG Art Museum, Buffalo Albrecht Dürer’s prints are characterized by nearly ethereal transitions from dark to light. From the fineness of the monkey’s wiry fur…
Whistler, James Abbott McNeill (1834-1903) Billingsgate 1859 Etching, 15.24 x 22.54 cm Buffalo AKG Art Museum, Buffalo See also: • London (England)
Canaletto (1697-1768) Capriccio con reminiscenze di Padova (Capriccio with Reminiscences of Padua) c.1740–1745 Etching, 30.16 x 43.18 cm Buffalo AKG Art Museum, Buffalo See also: • Padova (Italia)
Courbet, Gustave (1819-1877) La source de la Loue (The Source of the Loue) c.1864 Oil on canvas, 107.31 x 137.47 cm Buffalo AKG Art Museum, Buffalo Although Gustave Courbet resided in Paris for most of his life, he remained closely connected…
Monet, Claude (1840-1926) Chemin de halage à Argenteuil (Towpath at Argenteuil, Winter) 1875–1876 Oil on canvas, 60 x 100.01 cm Buffalo AKG Art Museum, Buffalo In 1871, following the end of the Franco-Prussian War, the newly wed Claude Monet moved from…
Corot, Jean-Baptiste-Camille (1796-1875) Bords d’une rivière dominée au loin par des collines (Banks of a River Dominated in the Distance by Hills) c.1871–1873 Oil on canvas, 31.9 x 46 x 3.8 cm Rhode Island School of Design, Providence
Blake, William (1757-1827) Baptism of Christ c.1799 Tempera over pen and ink on canvas, 32.4 x 49.2 cm Rhode Island School of Design, Providence