Monet, Claude (1840-1926) Marée basse à Pourville, près de Dieppe (Low Tide at Pourville, near Dieppe) 1882 Oil on fabric, 59.9 x 81.3 cm Cleveland Museum of Art, Cleveland This is one of several views Monet painted of the cliffs and…
Monet, Claude (1840-1926) Pont de Charing Cross, temps couvert (Charing Cross Bridge, Overcast Day) 1900 Oil on canvas, 60.6 x 91.5 cm Museum of Fine Arts, Boston Coal dust combined with naturally damp weather in the 19th century to create near…
Renoir, Pierre-Auguste (1841-1919) Cros de Cagnes, mer, montagnes (Cros de Cagnes, Sea, Mountains) c.1910 Oil on canvas, 20 × 30.9 cm Bristol Museum & Art Gallery, Bristol See also: • Cagnes-sur-Mer (France)
Renoir, Pierre-Auguste (1841-1919) Brouillard à Guernesey (Fog on Guernsey) 1883 Oil on canvas, 53.3 x 65.1 cm Cincinnati Art Museum, Cincinnati See also: • Guernsey (UK)
Renoir, Pierre-Auguste (1841-1919) Sur le Grand Canal, Venise (Grand Canal, Venice) 1881 Oil on canvas, 54 x 65.1 cm Museum of Fine Arts, Boston When Renoir’s Venetian pictures were first exhibited, one critic called them, “the most outrageous series of ferocious…
Renoir, Pierre-Auguste (1841-1919) La Baigneuse au griffon, Lise au bord de la Seine (Bather with a Griffon Dog, Lise on the Bank of the Seine) 1870 Oil on canvas, 183.5 x 115 cm Museu de Arte, São Paulo Lise Tréhot (1848-1922) posed…
Manet, Édouard (1832-1883) Le Grand Canal à Venise (The Grand Canal of Venice, Blue Venice) 1875 Oil on canvas, 54 x 65 cm Shelburne Museum, Shelburne, VT See also: • Venezia (Italia)
Signac, Paul (1863-1935) La jetée à Cassis (The Jetty at Cassis) 1889 Oil on canvas, 46.4 x 65.1 cm Metropolitan Museum of Art, New York Between 1887 and 1891, Signac spent the warmer months pursuing his two passions, marine painting and…
Daumier, Honoré (1808-1879) La Blanchisseuse (The Laundress) 1863? Oil on oak, 48.9 x 33 cm Metropolitan Museum of Art, New York This painting depicts a subject visible from Daumier’s studio on the quai d’Anjou in Paris: laundresses returning from laundry boats…
Signac, Paul (1863-1935) Concarneau, calme du soir, Allegro Maestoso (Evening Calm, Concarneau) 1891 Oil on canvas, 64.8 x 81.3 cm Metropolitan Museum of Art, New York As Georges Seurat’s most ardent follower, Paul Signac steadfastly promoted the principles of Neo-Impressionism all his…