Manet, Édouard (1832-1883) La Barque de Dante, d’après Delacroix (Bark of Dante, copy after Delacroix) c.1855 Oil on canvas, 38.1 x 45.72 cm Musée des Beaux-Arts de Lyon, Lyon Compare: Delacroix, Eugène (1798-1863) Dante et Virgile aux enfers 1822 Musée du Louvre, Paris …
Manet, Édouard (1832-1883) La Nymphe surprise (The Surprised Nymph) 1861 Oil on canvas, 144.5 x 112.5 cm Museo de Bellas Artes, Buenos Aires Compare: Manet, Édouard (1832-1883) Étude pour La nymphe surprise 1861 Private collection Manet, Édouard (1832-1883) Nymphe surprise…
Matisse, Henri (1869-1954) Luxe, calme et volupté (Luxury, Calm and Pleasure) 1904 Oil on canvas, 98.5 x 118.5 x 2.2 cm Musée National d’Art Moderne, Paris © Succession H. Matisse, Paris Luxe, calme et volupté testifies to the work Henri Matisse…
Matisse, Henri (1869-1954) La Fenêtre ouverte, Collioure (Open Window, Collioure) 1905 Oil on canvas, 55.25 × 46.04 cm National Gallery of Art, Washington Matisse‘s Open Window, Collioure is an icon of early modernism. A small but explosive work, it is celebrated…
Renoir, Pierre-Auguste (1841-1919) Les Deux Soeurs, Sur la terrasse (Two Sisters, On the Terrace) 1881 Oil on canvas, 100.4 × 80.9 cm Art Institute of Chicago, Chicago “He loves everything that is joyous, brilliant, and consoling in life,” an anonymous interviewer once…
Delacroix, Eugène (1798-1863) Andromède (Andromeda) 1852 Oil on canvas, 33 x 25.1 cm Museum of Fine Arts, Houston
Dürer, Albrecht (1471-1528) Die Drahtziehmühle (The Wire-drawing Mill) c.1489 Watercolor and gouache on paper, 29 x 42.6 cm Kupferstichkabinett, Berlin The depiction of the landscape environment, which is self-evident and particularly interesting to us, was not common for centuries, from the…
Whistler, James Abbott McNeill (1834-1903) Grey and Silver: Chelsea Wharf c.1864–1868 Oil on canvas, 61 x 46 cm National Gallery of Art, Washington See also: • Chelsea (London)
Whistler, James Abbott McNeill (1834-1903) Wapping 1860–1864 Oil on canvas, 72 x 101.8 cm National Gallery of Art, Washington We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a…
Whistler, James Abbott McNeill (1834-1903) The Lime Burner 1859 Etching and drypoint on laid paper, 25.4 x 17.8 cm Victoria and Albert Museum, London During his formative years in Paris in the 1850s, Whistler was influenced by the injunctions of the…