Matisse, Henri (1869-1954) La citrouille verte (The Green Pumpkin) c.1916 Oil on canvas, 80 x 64.5 cm Rhode Island School of Design, Providence
La citrouille verte (c.1916)
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La Ferme de Busagny à Osny (1883)
Gauguin, Paul (1848-1903) La Ferme de Busagny à Osny (Busagny Farm, Osny) 1883 Oil on canvas, 64.8 x 54.6 cm Rhode Island School of Design, Providence See also: • Osny (France)
L’Enfant au tablier rouge (1886)
Morisot, Berthe (1841-1895) L’Enfant au tablier rouge (Child in a Red Apron) 1886 Oil on canvas, 60 x 49.9 cm Rhode Island School of Design, Providence
Le Quai du Pothuis à Pontoise (1872)
Pissarro, Camille (1830-1903) Le Quai du Pothuis à Pontoise (The Quai du Pothuis in Pontoise) 1872 Oil on canvas, 45.09 × 55.25 cm Virginia Museum of Fine Arts, Richmond Views of Pontoise, a northwestern suburb of Paris, were among Pissarro’s most…
A Scholar in His Study (c.1652)
Rembrandt (1606-1669) A Scholar in His Study (‘Faust’) c.1652 Etching, engraving and drypoint, 20.9 x 16 cm Philadelphia Art Museum, Philadelphia Compare: Rembrandt (1606-1669) Faust c.1652 Milwaukee Art Museum, Milwaukee
Homme dans un café (1912)
Gris, Juan (1887-1927) Homme dans un café (Man in a Café) 1912 Oil on canvas, 127.6 x 88.3 cm Philadelphia Art Museum, Philadelphia Juan Gris was the only artist included in the 1912 Salon de la Section d’Or who actually used…
La boîte de Pandore (1951)
Magritte, René (1898-1967) La boîte de Pandore (Pandora’s box) 1951 Oil on canvas, 45.4 × 54.9 cm Yale University Art Gallery, New Haven
La chiusa di Dolo (c.1745)
Bellotto, Bernardo (1721-1780) La chiusa di Dolo (The Lock at Dolo) c.1745 Oil on canvas, 73.8 × 108.7 cm Yale University Art Gallery, New Haven See also: • Dolo (Italia)
Self-portrait (1498)
Dürer, Albrecht (1471-1528) Self-portrait 1498 Oil on panel, 52 x 41 cm Museo del Prado, Madrid In the same year that he published the Apocalipsis cum figuris, Dürer painted himself as a gentleman, dressed in light toned clothes and looking his…
Deux femmes (1922)
Léger, Fernand (1881-1955) Deux femmes (Two Women) 1922 Oil on canvas, 90.8 x 58.4 cm National Gallery of Art, Washington Fernand Léger originated a distinct cubist style in the twentieth century. In the early 1920s he both embraced and influenced the…