Botticelli, Sandro (c.1445-1510) Madonna dell’Eucarestia (Virgin and Child with an Angel) 1470–1474 Tempera on panel, 85 x 64.5 cm Isabella Stewart Gardner Museum, Boston A vast number of paintings of the Virgin and Child were produced in Florence in the late 1400s…
Botticelli, Sandro (c.1445-1510) Ritratto di Giuliano de’ Medici (Portrait of Giuliano de’ Medici) c.1478–1480 Tempera on panel, 59.5 x 39.3 cm Accademia Carrara, Bergamo Initiated by his father into the profession of goldsmith and from Filippo Lippi to that of painter,…
Botticelli, Sandro (c.1445-1510) Madonna del Libro (Madonna of the Book) 1480–1481 Tempera on panel, 58 x 39.6 cm Museo Poldi Pezzoli, Milano This painting depicts the Virgin and Child reading a book that is only partially visible. The layout and decoration of…
Botticelli, Sandro (c.1445-1510) Annunciazione di Cestello (Cestello Annunciation) 1489–1490 Tempera on wood, 150 x 156 cm Galleria degli Uffizi, Firenze Inscriptions: SPIRITUS SANCTUS SUPERVENIET IN TE ET VIRTUS ALTISSIMI OBUMBRABIT TIBI (Luca 1, 35) ECCE ANCILLA DOMINI FIAT MICHI SECUNDUM VERBUM TUUM…
Botticelli, Sandro (c.1445-1510) Ritratto di giovane donna (Portrait of a Young Woman) c.1475–1480 Oil on poplar, 55.4 x 43 cm Gemäldegalerie, Berlin In the past, this portrait was considered to be that of Simonetta Vespucci, venerated by Giuliano de’ Medici, who died…
Botticelli, Sandro (c.1445-1510) L’Annunciazione (The Annunciation) c.1485 Tempera and gold on wood, 19.1 x 31.4 cm Metropolitan Museum of Art, New York One of the most celebrated paintings in the Robert Lehman Collection, this depiction of the Annunciation unfolds in a classicizing…
Antonello da Messina (c.1430-1479) San Gerolamo nello studio (Saint Jerome in his Study) c.1475 Oil on lime, 45.7 x 36.2 cm National Gallery, London Born in the fourth century, Saint Jerome was a scholar and a monk. His translation of the…
Sisley, Alfred (1839-1899) Pont de Villeneuve-la-Garenne (The Bridge at Villeneuve-la-Garenne) 1872 Oil on canvas, 49.5 x 65.4 cm Metropolitan Museum of Art, New York Recently built, state-of-the-art bridges, emblematic of modernity, appear in a number of Sisley’s paintings of the 1870s…
Chagall, Marc (1887-1985) Autoportrait aux sept doigts (Self-Portrait with Seven Fingers) 1912–1913 Oil on canvas, 126 x 107.5 cm Stedelijk Museum, Amsterdam See also: • Tour Eiffel (Paris)
Chagall, Marc (1887-1985) Paris par la fenêtre (Paris Through the Window) 1913 Oil on canvas, 136 x 141.9 cm Guggenheim Museum, New York See also: • Paris (France) | Tour Eiffel