Magritte, René (1898-1967) La tempête (The Tempest) c.1931 Oil on canvas, 49.5 x 65.4 cm Wadsworth Atheneum, Hartford Magritte sought to create what he called “poetic paintings.” Here he balanced solid and void, light and dark, and hard and soft to create…
Pissarro, Camille (1830-1903) La Conversation, Louveciennes (The Conversation, Louveciennes) 1870 Oil on canvas, 100 x 81 cm Bührle Collection, Zürich See also: • Louveciennes (France)
Carracci, Annibale (1560-1609) Pietà c.1603 Oil on copper, 41.3 x 60.7 cm Kunsthistorisches Museum, Vienna Overwhelmed by her helplessness and pain, Mary holds her dead son in her lap. Pale colours and the pathos of marbles by Michelangelo and from antiquity…
Bellini, Giovanni (c.1430-1516) Giovane donna nuda allo specchio (Young woman at her toilette) 1515 Oil on poplar panel, 62.9 x 78.3 cm Kunsthistorisches Museum, Vienna Inscription: “Joannes bellinus faciebat M.D.X.V.” As an elderly man, Bellini turned to the depiction of a…
Gauguin, Paul (1848-1903) Nature morte avec des tournesols sur un fauteuil (Still Life with Sunflowers on an armchair) 1901 Oil on canvas, 73 x 92 cm Hermitage Museum, Saint Petersburg In 1901, when this painting was produced, Gauguin was still living…
Miró, Joan (1893-1983) La casa de la palmera (House with Palm Tree) 1918 Oil on canvas, 65 x 73 cm Museo Reina Sofía, Madrid Joan Miró’s searches for new plastic solutions between 1916 and 1918 led to the creation of four ‘detailist’…
De Morgan, Evelyn (1855-1919) Queen Eleanor and the Fair Rosamund Probably 1901–1902 Oil on canvas, 75.6 x 66.7 cm De Morgan Collection Rosamund was the mistress of Henry II, who built a house for her at Woodstock in Oxfordshire. Legends say…
Lorenzo di Credi (c.1459-1537) Madonna col Bambino (The Virgin and Child) c.1480–1485 Oil on wood, 71.1 × 49.5 cm National Gallery, London The Virgin Mary is seated directly in front of us. Together with swathes of drapery, she covers almost the…
Signac, Paul (1863-1935) Antibes 1918 Watercolor and charcoal on laid paper, 30.2 x 42.9 cm Barnes Foundation, Philadelphia See also: • Antibes (France)
Canaletto (1697-1768) Canal Grande: San Geremia e l’ingresso a Cannaregio (Grand Canal: San Geremia and the Entrance to the Cannaregio) Mid-18th century Oil on canvas, 46.7 x 72.7 cm Barnes Foundation, Philadelphia Canaletto was known for his city views of Venice,…