Tiepolo, Giambattista (1696-1770) Angelo con corona di gigli (Angel with a crown of lilies) 1767–1769 Oil on canvas, 40 x 53 cm Museo del Prado, Madrid This is a fragment of Saint Joseph with the infant Christ, painted for the…
Tiepolo, Giambattista (1696-1770) Visione di San Pascual Baylón (Vision of St. Paschal Baylon) 1767–1769 Oil on canvas, 340 x 180 cm Museo del Prado, Madrid The two surviving fragments of the canvas painted before August 29, 1769 have been assembled…
Tiepolo, Giambattista (1696-1770) Sant’Antonio di Padova con Gesù Bambino (St. Anthony of Padua and the Child Jesus) 1767–1769 Oil on canvas, 225 x 176 cm Museo del Prado, Madrid Saint Anthony of Padua (1195-1231) wears a Franciscan habit and meditates…
Tiepolo, Giambattista (1696-1770) Abramo e i tre angeli (Abraham and the three angels) c.1770 Oil on canvas, 196 x 151 cm Museo del Prado, Madrid This painting presents an event mentioned in the book of Genesis (18, 1.19). Giambattista Tiepolo…
Mantegna, Andrea (c.1431-1506) Madonna dei Cherubini, Madonna con il Bambino e un coro di cherubini (Madonna of Cherubs, Madonna and Child with a Choir of Cherubs) 1485–1490 Tempera on panel, 88 x 70 cm Pinacoteca di Brera, Milano
Courbet, Gustave (1819-1877) Femme au perroquet (Woman with a Parrot) 1866 Oil on canvas, 129.5 x 195.6 cm Metropolitan Museum of Art, New York When this painting was shown in the Salon of 1866, some critics censured Courbet‘s “lack of…
Manet, Édouard (1832-1883) Le Christ mort et les anges (The Dead Christ with Angels) 1864 Oil on canvas, 179.4 x 149.9 cm Metropolitan Museum of Art, New York Manet identified the source for this painting, the first of several religious…
Allori, Alessandro (1535-1607) Venere e Cupido (Venus and Cupid) c.1575–1580 Oil on wood, 143 x 226.50 cm Musée Fabre, Montpellier The Mannerist painter Allori designed a complex representation of Venus which owes much to the powerful figures of Michelangelo. The…
Bronzino (1503-1572) Allegoria del trionfo di Venere (An Allegory with Venus and Cupid) c.1545 Oil on wood, 146.1 x 116.2 cm National Gallery, London This is one of Bronzino’s most complex and enigmatic paintings. It contains a tangle of moral…