Raffaello (1483-1520) Le Tre Grazie (The Three Graces) c.1504–1505 Oil on panel, 17 x 17 cm Musée Condé, Chantilly This is one of the smallest paintings by the master and the only secular work from Raphael‘s Florentine period, before 1508, still under…
Raffaello (1483-1520) La Velata (Woman with a Veil) c.1512–1515 Oil on canvas, 82 x 60.5 cm Galleria Palatina, Firenze The veil over the hair, from which the name of this splendid work by Raphael is derived, indicates that the woman is…
Raffaello (1483-1520) La Fornarina (Portrait of a Young Woman) c.1520 Oil on panel, 87 x 63 cm Palazzo Barberini, Roma The subject of this portrait, according to tradition, was Raphael’s inspirational muse and mistress: Margherita Luti, the daughter of a baker in…
Raffaello (1483-1520) Resurrezione di Cristo (Resurrection of Christ) 1499–1502 Oil on wood panel, 56.5 x 47 cm Museu de Arte, São Paulo Ever since he began his training in the workshop of Pietro Perugino (1446–1524), Raphael Sanzio circulated in the court…
Raffaello (1483-1520) San Giorgio e il drago (Saint George and the Dragon) c.1506 Oil on panel, 28.5 x 21.5 cm National Gallery of Art, Washington Raphael was born in Urbino, a central Italian duchy noted for its elegant gentility and Renaissance scholarship.…
Raffaello (1483-1520) San Giorgio e il drago (Saint George and the Dragon) c.1503–1505 Oil on poplar, 29.4 x 25.5 cm Musée du Louvre, Paris
Raffaello (1483-1520) La dama col liocorno (Lady with a Unicorn) c.1505–1506 Oil on panel transferred to canvas, 67 x 56 cm Galleria Borghese, Roma The young woman depicted is a Florentine girl, as can be seen from the precious fashionable dress of…
Raffaello (1483-1520) Busto femminile (Head and shoulders of a woman) c.1505–1507 Pen and brown ink, black chalk, 22.2 x 15.9 cm Musée du Louvre, Paris Head and shoulders of a woman, in three-quarters profile facing left, with folded arms, possibly a study…
Tiziano (c.1488-1576) Ecce Homo 1543 Oil on canvas, 242 x 361 cm Kunsthistorisches Museum, Vienna Signature: Referenced bottom center of the note: TITIANVS EQVES CES F. 1543 The scene was rarely depicted in Italy, but is probably explained by the Flemish origin…
Zurbarán, Francisco de (1598-1664) Nacimiento de la Virgen (The Birth of the Virgin) c.1627 Oil on canvas, 141 x 108.6 cm Norton Simon Museum, Pasadena Just as striking as Zurbarán’s color scheme are his rich, descriptive treatment of the drapery, and…