Canova, Antonio (1757-1822) Naiade (Naiad) model 1815–1817, carved 1820–1823 Marble, 80 x 190 cm National Gallery of Art, Washington Compare: Canova, Antonio (1757-1822) Naiade 1819–1824 Metropolitan Museum of Art, New York
Naiade (1815-1823)
Tag: woman
Naiade (1819-1824)
Canova, Antonio & studio (1757-1822) Naiade (Reclining Naiad) 1819–1824 Carrara marble, 88.9 × 190.5 × 82.6 cm, 1160.3 kg Metropolitan Museum of Art, New York This is a variant of the Reclining Venus with Cupid, now in Buckingham Palace, which was…
Venere e Marte (1815-1819)
Canova, Antonio (1757-1822) Venere e Marte (Venus and Mars) 1815–1819 Marble, 208 x 137 x 65.5 cm Royal Collection, Buckingham Palace, London A full length marble statue of Mars and Venus, standing. Venus stands partially draped gazing upwards at Mars, who…
Venus Italica (1812)
Canova, Antonio (1757-1822) Venus Italica 1812 Marble, h. 171.5 cm Galleria Palatina, Firenze In 1802, passing through Florence and at the height of his notoriety, Antonio Canova was commissioned by the King of Etruria, Ludovico di Borbone, to make a copy…
Euridice (1775-1776)
Canova, Antonio (1757-1822) Euridice (Eurydice) 1775–1776 Marble, 203 x 54 x 56 cm Museo Correr, Venezia Companion: Canova, Antonio (1757-1822) Orfeo 1775–1776 Museo Correr, Venezia
Paolina Borghese Bonaparte come Venere Vincitrice (1804-1808)
Canova, Antonio (1757-1822) Paolina Borghese Bonaparte come Venere Vincitrice (Paolina Borghese Bonaparte as Venus Victrix) 1804–1808 Carrara marble, 160 x 92 cm Galleria Borghese, Roma Portrayed by Antonio Canova in the guise Venus victorious in the Judgement of Paris, Pauline Borghese…
Amore e Psiche (1800-1803)
Canova, Antonio (1757-1822) Amore e Psiche (Cupid and Psyche) 1800–1803 Marble, h. 148 cm Hermitage Museum, Saint Petersburg Entered the Hermitage in 1815; previously in the collection of Jósephine de Beauharnais in the Castle of Malmaison near Paris. By the end…
Amore e Psiche che si abbracciano (1787-1793)
Canova, Antonio (1757-1822) Amore e Psiche che si abbracciano (Psyche Revived by Cupid’s Kiss) 1787–1793 Marble, 155 x 168 cm Musée du Louvre, Paris See also: • Apuleius (c.124-c.170): Psyche et Cupido (Latin)
Aux courses en province (1869)
Degas, Edgar (1834-1917) Aux courses en province (At the Races in the Countryside) 1869 Oil on canvas, 36.5 x 55.9 cm Museum of Fine Arts, Boston At once merging and disrupting the traditional categories of landscape, genre scene, and family portrait,…
La classe de danse (1873-1876)
Degas, Edgar (1834-1917) La classe de danse (The Dance Class) 1873–1876 Oil on canvas, 85.5 x 75 cm Musée d’Orsay, Paris Degas regularly went to the Paris opera house, not only as a member of the audience, but as a visitor…