Tintoretto, Jacopo (1518-1594) Ritratto d’uomo (Portrait of a Man) 1550s Oil on canvas, 112.7 x 88.9 cm Metropolitan Museum of Art, New York One of Tintoretto’s finest formal portraits, this painting depicts an unknown sitter now believed to be a…
Rembrandt (1606-1669) Self-Portrait as an Old Man c.1664 Oil on canvas, 74 x 55 cm Galleria degli Uffizi, Firenze
Rembrandt (1606-1669) Portrait of an Old Man 1665 Oil on canvas, 104 x 86 cm Galleria degli Uffizi, Firenze
Rembrandt (1606-1669) Bust of a Man in Oriental Dress 1633 Oil on oak, 85.8 x 63.8 cm Alte Pinakothek, Munich Paintings of individual figures in Holland in the seventeenth century that were neither portraits nor history paintings are called tronies…
Rembrandt (1606-1669) Reverend Johannes Elison 1634 Oil on canvas, 174 x 124.5 cm Museum of Fine Arts, Boston See also: • Elison, Johannes
Rembrandt (1606-1669) Old Man with a Gold Chain 1631 Oil on panel, 83.1 x 75.7 cm Art Institute of Chicago, Chicago This evocative character study is an early example of a type of subject that preoccupied the great Dutch master…
Rembrandt (1606-1669) Portrait of Margaretha de Geer, Wife of Jacob Trip 1661 Oil on canvas, 75.3 x 63.8 cm National Gallery, London Margaretha de Geer was married to Jacob Trip – an extremely wealthy merchant and arms dealer – for…
Rembrandt (1606-1669) Portrait of Margaretha de Geer, Wife of Jacob Trip c.1661 Oil on canvas, 130.5 x 97.5 cm National Gallery, London Margaretha de Geer was the wife of Jacob Trip and their two portraits were made to hang together,…
Rembrandt (1606-1669) Portrait of Jacob Trip c.1661 Oil on canvas, 130.5 x 97 cm National Gallery, London This wise-looking old man is Jacob Trip. He was one of the biggest arms dealers during one of the most turbulent periods of…
Rembrandt (1606-1669) Portrait of Aechje Claesdr 1634 Oil on oak, 71.1 x 55.9 cm National Gallery, London The optical illusion created by this painting, is a powerful one. Rembrandt has used contrasts between light and dark – for example, the…