Cristo e la donna di Samaria (1500-1505)

Perugino (c.1446-1523)

Cristo e la donna di Samaria (Christ and the Woman of Samaria)
15001505
Tempera on panel, transferred to canvas, 27.3 × 46.3 cm
Art Institute of ChicagoChicago

The other four panels of the predella:

Perugino (c.1446-1523)
La Natività
15001505
Art Institute of ChicagoChicago

 

 

Perugino (c.1446-1523)
Il battesimo di Cristo
15001505
Art Institute of ChicagoChicago

 

 

Perugino (c.1446-1523)
La resurrezione
15001505
Metropolitan Museum of ArtNew York

 

 

Perugino (c.1446-1523)
Noli Me Tangere
15001505
Art Institute of ChicagoChicago

 

 

These five panels once constituted a predella—a series of small pictures forming the base of an altarpiece. In this case, the painting that was positioned above the predella as the focal point of the altarpiece is unidentified.