Tag: 1502

Testa maschile e leone (1501-1508)

Carpaccio, Vittore (c.1460-c.1526) Testa maschile e leone (Male Head and Lion) 1501–1508 Brush, chalk and gouache on paper, 23.2 × 12.1 cm Princeton University Art Museum, Princeton Recto: Celebrated for his lively religious narrative cycles, Carpaccio was a prolific draftsman whose vibrant brushwork, often…

Due donne in piedi (1501-1508)

Carpaccio, Vittore (c.1460-c.1526) Due donne in piedi (Two Standing Women, One in Mamluk Dress) 1501–1508 Brush, ink and gouache over chalk on paper, 23.2 × 12.1 cm Princeton University Art Museum, Princeton Recto: Celebrated for his lively religious narrative cycles, Carpaccio…

Cristo coronato di spine (c.1500-1505)

Probably Perugino (c.1446-1523) Cristo coronato di spine (Christ Crowned with Thorns) c.1500–1505 Oil on wood, 40.3 x 32.4 cm National Gallery, London Christ is shown as a prisoner, a rope around his neck. He wears a crown of thorns and a purple…

Noli Me Tangere (1500-1505)

Perugino (c.1446-1523) Noli Me Tangere 1500–1505 Tempera on panel, transferred to canvas, 27.3 × 46.3 cm Art Institute of Chicago, Chicago Perugino’s serene and decorous art was widely influential in his native region of Umbria and beyond, most famously through his contact…

La Natività (1500-1505)

Perugino (c.1446-1523) La Natività (The Nativity) 1500–1505 Tempera on panel, transferred to canvas, 26.2 × 46.3 cm Art Institute of Chicago, Chicago Perugino’s serene and decorous art was widely influential in his native region of Umbria and beyond, most famously through his…

Cristo e la donna di Samaria (1500-1505)

Perugino (c.1446-1523) Cristo e la donna di Samaria (Christ and the Woman of Samaria) 1500–1505 Tempera on panel, transferred to canvas, 27.3 × 46.3 cm Art Institute of Chicago, Chicago Perugino’s serene and decorous art was widely influential in his native region…