Bacon, Francis (1909-1992)
Self-Portrait
1971
Oil on canvas, 35.5 × 30.5 cm
Musée National d’Art Moderne, Paris
© The Estate of Francis Bacon. All rights reserved. / DACS, London / ARS, NY 2019
The body has long served as an inspiration for art—from the perfected physiques of ancient Greek statuary to contemporary works that explore the human form in drawing, sculpture, paint, and live performances. Whereas many artists have tended to idealize the body, others have focused on its mutability and even its grotesque aspects.
Acclaimed Irish-born British artist Francis Bacon was among the latter. The body is a recurring theme in his paintings, but it is far from the ideal. Instead, Bacon transformed the human figure through his expressive brushstrokes—dissecting it in paint.
Self-Portrait
The artist’s self-portrait from 1971 demonstrates how he would contort physical features to give psychological depth to his subjects. “I’m always hoping to deform people into appearance,” Bacon said. “I can’t paint them literally.”
Photographic Memory
Bacon preferred to work from photographs rather than live models, as he did for Female Nude Standing in a Doorway and Study for Portrait. Both were based on studio photographs he commissioned from photographer John Deakin, whose career began at Vogue. Deakin brought an uncompromising eye to the studio sessions for Bacon, often regarding subjects with a penetrating and merciless gaze. (MFAH)