Gentileschi, Artemisia (1593-c.1653) Autoritratto come Santa Caterina d’Alessandria (Self Portrait as Saint Catherine of Alexandria) c.1615–1617 Oil on canvas, 71.4 × 69 cm National Gallery, London
Flinck, Govert (1615-1660) Self Portrait aged 24 1639 Oil on oak, 65.8 × 54.4 cm National Gallery, London Compare: Flinck, Govert (1615-1660) Self-Portrait with Beret c.1638–1643 Kelvingrove Museum, Glasgow
Cézanne, Paul (1839-1906) Autoportrait à la casquette (Self-Portrait in a Casquette) c.1872 Oil on canvas, 53 x 39.7 cm Hermitage Museum, Saint Petersburg Painted in the early 1870s, at a time when Cézanne was closest of all to the Impressionists, this…
Pissarro, Camille (1830-1903) Portrait de l’artiste 1873 Oil on canvas, 55.5 x 46 cm Musée d’Orsay, Paris
Lotto, Lorenzo (1480-1557) Autoritratto (Self-Portrait) s.d. Oil on panel, 43 x 35 cm Museo Thyssen-Bornemisza, Madrid Within Lotto’s oeuvre both religious compositions and portraits occupy significant positions, and the artist introduced notable innovations in the latter genre. Born in Venice, it…
Fontana, Lavinia (1552-1614) Autoritratto (Self-portrait) 16th century Oil on wood, 27 x 21 cm Musée du Louvre, Paris
Murer, Eugène (1841-1906) Trilogy of Months, state II s.d. Color lithograph, 82.2 x 61 cm Cleveland Museum of Art, Cleveland See also: • Vollard, Ambroise (1866-1939)
Gentileschi, Artemisia (1593-c.1653) Autoritratto come allegoria della Pittura (Self-portrait as the Allegory of Painting) 1638–1639 Oil on canvas, 98.6 x 75.2 cm Royal Collection, Buckingham Palace, London
Cormon, Fernand (1845-1924) Autoportrait (Self-Portrait) 1912 Graphite on cream wove paper, 11.6 x 8 cm Cleveland Museum of Art, Cleveland
Reynolds, Joshua (1723-1792) Self-Portrait as a Deaf Man c.1775 Oil on canvas, 75.9 x 63.4 cm Tate Britain, London Creating self-portraits in character or pulling a face was a traditional form of student exercise. But this image was created when the…
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