Millais, John Everett (1829-1896) Portia 1886 Oil on canvas, 125.1 x 83.8 cm Metropolitan Museum of Art, New York In Shakespeare’s play The Merchant of Venice, the resourceful heroine Portia disguises herself in lawyer’s robes. Her intention is to outwit the…
Millet, Jean-François (1814-1875) Femme avec un râteau (Woman with a Rake) 1856–1857 Oil on canvas, 39.7 x 34.3 cm Metropolitan Museum of Art, New York Millet first treated this subject in a woodcut, one of ten in the series Labors of the…
Millet, Jean-François (1814-1875) Paysage d’automne avec un troupeau de dindes (Autumn Landscape with a Flock of Turkeys) 1872–1873 Oil on canvas, 81 x 99.1 cm Metropolitan Museum of Art, New York Millet wrote to his patron Frédéric Hartmann on February 18, 1873…
Millet, Jean-François (1814-1875) Meules de foin, Automne (Haystacks: Autumn) c.1874 Oil on canvas, 85.1 x 110.2 cm Metropolitan Museum of Art, New York This picture is from a series depicting the four seasons commissioned in 1868 by the industrialist Frédéric Hartmann.…
Van Gogh, Vincent (1853-1890) First Steps, after Millet 1890 Oil on canvas, 72.4 x 91.1 cm Metropolitan Museum of Art, New York In fall and winter 1889–90, while a voluntary patient at the asylum in Saint-Rémy, Van Gogh painted twenty-one copies after…
Millet, Jean-François (1814-1875) Les Premiers pas (First Steps) c.1859–1866 Black chalk and pastel on wove paper, 29.5 x 45.9 cm Cleveland Museum of Art, Cleveland At the time this drawing was made, many critics disparaged Millet‘s depictions of peasants as politically…
Millais, John Everett (1829-1896) The Return of the Dove to the Ark 1851 Oil on canvas, 88.2 x 54.9 cm Ashmolean Museum, Oxford
Millais, John Everett (1829-1896) Mariana 1851 Oil on mahogany, 59.7 x 49.5 cm Tate Britain, London When it was first exhibited at the Royal Academy in 1851, this picture was accompanied by the following lines from Tennyson‘s Mariana (1830): She only said,…
Millais, John Everett (1829-1896) Self-portrait 1881 Oil on canvas, 86 x 65 cm Galleria degli Uffizi, Firenze
Rossetti, Dante Gabriel (1828-1882) Beata Beatrix c.1864–1870 Oil on canvas, 86.4 x 66 cm Tate Britain, London Dante Gabriel Rossetti identified closely with the medieval poet Dante Alighieri. Rossetti saw his own despair at the death of his wife, the artist and…