Rubens, Peter Paul (1577-1640) Aeolus early 17th century Oil on canvas, 140 x 126 cm Museo del Prado, Madrid This work, together with Vulcano y el fuego (P1717), has been considered part of a possible series of four paintings that would…
Rubens, Peter Paul (1577-1640) Head of Medusa c.1613 Oil on canvas, 68.5 × 118 × 2 cm Kunsthistorisches Museum, Vienna Perseus cunningly killed the snake-haired Medusa, who had petrified man and animal with her gaze (Ovid, Metamorphoses). The blood dripping from…
Rubens, Peter Paul (1577-1640) The Family of Jan Brueghel the Elder c.1613–1615 Oil on panel, 95.2 x 125.1 cm Courtauld Institute of Art, London This painting celebrates family and friendship. It is a touching portrait of the family of the artist…
Rubens, Peter Paul (1577-1640) Bacchus 1638–1640 Oil on canvas, 191 x 161.3 cm Hermitage Museum, Saint Petersburg Bacchanalia was a favourite theme in Rubens‘s work, although Bacchus himself was rarely the subject of his paintings. He saw the subject as reflecting…
Rubens, Peter Paul (1577-1640) The Honeysuckle Bower c.1609–1610 Oil on canvas, transferred to wood, 178 x 136.5 cm Alte Pinakothek, Munich Rubens returned to Antwerp in 1608 after an eight-year stay in Italy. The following year he married Isabella Brant. This…
Rubens, Peter Paul (1577-1640) Portrait of a Man, Possibly an Architect or Geographer 1597 Oil on copper, 21.6 x 14.6 cm Metropolitan Museum of Art, New York This sensitive portrait on copper is one of Rubens’s earliest known works. The square…
Rubens, Peter Paul (1577-1640) Portrait of a Young Woman with a Rosary c.1609–1610 Oil on panel, 107 x 76.7 cm Museo Thyssen-Bornemisza, Madrid This portrait of an unidentified female sitter can be dated to between 1609 and 1610 when Rubens was…
Rubens, Peter Paul (1577-1640) Hélène Fourment with two of her children (Clara Johanna, born in 1632, and Frans, born in 1633) c.1636 Oil on panel, 115 x 85 cm Musée du Louvre, Paris Painted around 1636, given the ages of the…
Rubens, Peter Paul (1577-1640) Hélène Fourment putting on a glove c.1632 Oil on oak, 96.6 x 69 cm Alte Pinakothek, Munich When compared with the elaborate and imposing full-length portrait of Helene Fourment in the collection (inv. no. 340), the present…