La poupée abandonnée (1921)

Valadon, Suzanne (1865-1938) La poupée abandonnée (The Abandoned Doll) 1921 Oil on canvas, 129 x 81 cm National Museum of Women in the Arts, Washington In The Abandoned Doll, Suzanne Valadon portrays an intimate scene with a strong psychological mood. Seated…

La cage (1885)

Morisot, Berthe (1841-1895) La cage (The Cage) 1885 Oil on canvas, 50.48 x 38.1 cm National Museum of Women in the Arts, Washington Painted in 1885, The Cage typifies Berthe Morisot’s mature style, pushing the boundaries of Impressionism. About 1880, Morisot,…

Jeune Fille aux cerises (c.1870)

Gonzalès, Eva (1849-1883) Jeune Fille aux cerises (Girl with Cherries) c.1870 Oil on canvas, 56.2 × 47.4 cm Art Institute of Chicago, Chicago The daughter of an affluent and cultured family, Eva Gonzalès was Édouard Manet’s first and only official pupil. Girl…

La modiste (c.1877)

Gonzalès, Eva (1849-1883) La modiste (The Milliner) c.1877 Pastel on canvas, 45 x 37 cm Art Institute of Chicago, Chicago Eva Gonzalès’s subjects were most often women engaged in activities such as reading, knitting, or filling a vase with flowers. This…

La Matinée rose (1874)

Gonzalès, Eva (1849-1883) La Matinée rose (The Pink Morning) 1874 Pastel on paper and canvas frame, 93.8 x 74.3 cm Musée d’Orsay, Paris

Coin d’un café-concert (1878-1880)

Manet, Édouard (1832-1883) Coin d’un café-concert (Corner of a Café-Concert) probably 1878–1880 Oil on canvas, 97.1 x 77.5 cm National Gallery, London In the middle of the nineteenth century the café-concert became extremely popular in France, and Parisian establishments such as the…

La Femme au chat (c.1880)

Manet, Édouard (1832-1883) La Femme au chat (Woman with a Cat) c.1880 Oil on canvas, 92.1 x 73 cm Tate Britain, London See also: • Manet, Suzanne (1830-1906)