Tag: 1474

Madonna col Bambino (c.1470-1475)

Ghirlandaio, Domenico (1448-1494) Madonna col Bambino (Madonna and Child) c.1470–1475 Tempera on panel transferred to hardboard, 70.8 x 48.9 cm National Gallery of Art, Washington Against a gold background, a blond woman is shown from the lap up, facing us as…

Ludovico Ariosto

(1474–1533) Works: • Lettere di Lodovico Ariosto (Italian) • Orlando Furioso (English) • Orlando Furioso (Italian) • Orlando Furioso, Tomo I (Spanish) • Orlando Furioso, Tomo II (Spanish) • Rinaldo ardito: Frammenti inediti pubblicati sul manoscritto originale (Italian) Ariosto in…

Baccanale con un tino di vino (c.1470-1490)

Mantegna, Andrea (c.1431-1506) Baccanale con un tino di vino (Bacchanal with a Wine Vat) c.1470–1490 Engraving and drypoint, 29.9 x 43.7 cm Metropolitan Museum of Art, New York Throughout his life, Mantegna was fascinated with classical antiquity. In the middle of…

Madonna dell’Eucarestia (1470-1474)

Botticelli, Sandro (c.1445-1510) Madonna dell’Eucarestia (Virgin and Child with an Angel) 1470–1474 Tempera on panel, 85 x 64.5 cm Isabella Stewart Gardner Museum, Boston A vast number of paintings of the Virgin and Child were produced in Florence in the late 1400s…

Vergine Annunziata (c.1473-1474)

Antonello da Messina (c.1430-1479) Vergine Annunziata (Virgin Annunciate) c.1473–1474 Oil and tempera on panel, 42.5 x 32.8 cm Alte Pinakothek, Munich This panel painting, created for private devotional use, shows the Virgin Mary after being brought the message of the Annunciation.…

Ritratto d’uomo (c.1472-1476)

Antonello da Messina (c.1430-1479) Ritratto d’uomo (Portrait of a Man) c.1472–1476 Oil on panel, 27.5 x 21 cm Museo Thyssen-Bornemisza, Madrid Antonello da Messina, who according to Vasari learned the technique of oil painting directly from Van Eyck during a trip…

Pietà (1474-1476)

Antonello da Messina (c.1430-1479) Pietà (Dead Christ Supported by Three Angels) 1474–1476 Oil on panel, 115 x 85.5 cm Museo Correr, Venezia