Tag: 1508

Guidobaldo da Montefeltro

(1472–1508) Duke of Urbino (1482–1502; 1503–1508) Guidobaldo in Art: Piero della Francesca (c.1416-1492) Ritratto di ragazzo c.1483 Museo Thyssen-Bornemisza, Madrid    

San Giuseppe e i corteggiatori della Vergine (c.1508)

Lotto, Lorenzo (1480-1557) San Giuseppe e i corteggiatori della Vergine (Saint Joseph and the Virgin’s Suitors) c.1508 Oil on panel, 45 x 34.5 cm Museo Thyssen-Bornemisza, Madrid Lorenzo Lotto was forgotten by art historians until the late 19th century. It was…

Nunc Dimittis (c.1505-1510)

Bellini, Giovanni (c.1430-1516) Nunc Dimittis (Now You let depart) c.1505–1510 Oil on panel, 62 x 82.5 cm Museo Thyssen-Bornemisza, Madrid Considered in his later years to be the greatest Venetian painter of his time, Giovanni Bellini was the teacher of the…

Studio di una donna seduta (c.1507-1508)

Raffaello (1483-1520) Studio di una donna seduta (Studies of a Seated Female, Child’s Head, and Three Studies of a Baby) c.1507–1508 Metalpoint, 12 x 15.3 cm Cleveland Museum of Art, Cleveland This drawing is from Raphael’s “pink sketchbook,” comprised of ten…

Testa maschile e leone (1501-1508)

Carpaccio, Vittore (c.1460-c.1526) Testa maschile e leone (Male Head and Lion) 1501–1508 Brush, chalk and gouache on paper, 23.2 × 12.1 cm Princeton University Art Museum, Princeton Recto: Celebrated for his lively religious narrative cycles, Carpaccio was a prolific draftsman whose vibrant brushwork, often…

Due donne in piedi (1501-1508)

Carpaccio, Vittore (c.1460-c.1526) Due donne in piedi (Two Standing Women, One in Mamluk Dress) 1501–1508 Brush, ink and gouache over chalk on paper, 23.2 × 12.1 cm Princeton University Art Museum, Princeton Recto: Celebrated for his lively religious narrative cycles, Carpaccio…