Renoir, Pierre-Auguste (1841-1919) Place de la Trinité 1875 Oil on canvas, 50 x 62 cm Private collection Compare: Renoir, Auguste (1841-1919) Place de la Trinité c.1878 Private collection Renoir, Auguste (1841-1919) Square de la Trinité 1878–1879 Private collection See…
Renoir, Pierre-Auguste (1841-1919) La Yole (The Skiff) 1875 Oil on canvas, 71 × 92 cm National Gallery, London We are probably looking at the river Seine near Chatou (some ten miles west of central Paris), although the exact site has not been…
Manet, Édouard (1832-1883) Portrait d’Alice Legouvé dans un Fauteuil (Portrait of Alice Legouvé in an armchair) c.1875 Oil on canvas, 26 × 28 cm Hammer Museum, Los Angeles See also: • Legouvé, Alice
Renoir, Pierre-Auguste (1841-1919) Les Amoureux (The Lovers) 1875 Oil on canvas, 175 x 130 cm National Gallery, Prague The resting pair of lovers in the middle of nature in the painting Lovers is presented in a highly dynamic painting with rapidly alternating…
Manet, Édouard (1832-1883) L’artiste, Portrait de Marcellin Desboutin (The Artist, Portrait of Marcellin Desboutin) 1875 Oil on canvas, 195.5 x 131.5 cm Museu de Arte, São Paulo See also: • Desboutin, Marcellin (1823-1902)
Hunt, William Holman (1827-1910) The Terrace, Berne 1875 Watercolor and brush on paper, 35.5 x 44.3 cm Rijksmuseum, Amsterdam Inscription: ‘Berne, from terrace of hotel where we first stayed on our wedding journey’ See also: • Bern (Switzerland)
Ruskin, John (1819-1900) Budding Sycamore 1875 Black and gray wash, gouache, and graphite, 34.8 x 44.8 cm Cleveland Museum of Art, Cleveland This drawing was used as an illustration in John Ruskin‘s manual on drawing, Rudimentary Studies. The most influential art…
Monet, Claude (1840-1926) En promenade près d’Argenteuil (Out for a Walk near Argenteuil) 1875 Oil on canvas, 61 x 81.4 cm Musée Marmottan Monet, Paris See also: • Argenteuil (France) | Doncieux, Camille (1847-1879) | Monet, Jean (1867-1914)
Burne-Jones, Edward (1833-1898) The Garden Court 1870–1875 Graphite and watercolor, heightened with white gouache, on paper, 32.3 x 60.2 cm Cleveland Museum of Art, Cleveland Art historian Andrea Wolk Rager has interpreted this drawing as related to Edward Burne-Jones‘s socialist beliefs,…
Bonheur, Rosa (1822-1899) La Ferme à l’entrée du bois (The Farm at the Entrance of the Wood) 1860–1880 Oil on fabric, 28.4 x 40.3 cm Cleveland Museum of Art, Cleveland Bonheur‘s artistic work led her to pastures, fairs, and even slaughterhouses—unlikely…