Pissarro, Camille (1830-1903) Chemin montant, rue de la Côte-du-Jalet, Pontoise (The Climb, Rue de la Côte-du-Jalet, Pontoise) 1875 Oil on canvas, 54 x 65.7 cm Brooklyn Museum, New York In this painting, Camille Pissarro departs from the legible perspectives of traditional…
Manet, Édouard (1832-1883) L’Amazone (The Equestrienne) c.1875–1876 Watercolor on paper, 20.8 x 27 cm Brooklyn Museum, New York In the mid-nineteenth century, the term amazone mockingly referred to fashionable Parisian women who preferred to ride on horseback instead of inside a…
Sisley, Alfred (1839-1899) La Terrasse à Saint-Germain, Printemps (The Terrace at Saint-Germain, Spring) 1875 Oil on canvas, 73.6 x 99.6 cm Walters Art Museum, Baltimore See also: • Saint-Germain-en-Laye (France)
Morisot, Berthe (1841-1895) L’Avant d’un Yacht (The Front of a Yacht) 1875 Watercolor on paper, 20.7 x 26.8 cm Clark Art Institute, Williamstown
Tissot, James (1836-1902) Chrysanthèmes (Chrysanthemums) c.1874–1876 Oil on canvas, 118.4 x 76.2 cm Clark Art Institute, Williamstown
Renoir, Pierre-Auguste (1841-1919) Avant le bain (Before the Bath) c.1875 Oil on canvas, 82 x 66.5 cm Barnes Foundation, Philadelphia When Renoir first exhibited this painting publicly, at an 1875 auction in Paris, audiences were shocked by its naturalism. Rather than…
Renoir, Pierre-Auguste (1841-1919) La Famille Henriot (Henriot Family) c.1875 Oil on canvas, 115.6 x 164.1 cm Barnes Foundation, Philadelphia Daytrips to the countryside around Paris became a popular form of leisure during the late 19th century. Renoir alludes to this kind…
Morisot, Berthe (1841-1895) Femme à sa toilette (Woman at Her Toilette) c.1875–1880 Oil on canvas, 60.3 × 80.4 cm Art Institute of Chicago, Chicago Consistent with the Impressionist aesthetic that Berthe Morisot fervently espoused, Woman at Her Toilette attempts to capture…
Renoir, Pierre-Auguste (1841-1919) Femme avec parasol dans un jardin (Woman with a Parasol in a Garden) 1875 Oil on canvas, 54.5 x 65 cm Museo Thyssen-Bornemisza, Madrid In Woman with a Parasol in a Garden, Renoir’s language is wholly impressionistic: in…
Manet, Édouard (1832-1883) Baigneurs sur la Seine (Bathers in the Seine) 1874–1876 Oil on canvas, 134 x 100 cm Museu de Arte, São Paulo The alternative title “Study from the Nude,” as Camesasca notes (1987, p. 67), is an indication of…