Tag: aquatint

Mother’s Kiss (1890-1891)

Cassatt, Mary (1844-1926) Mother’s Kiss 1890–1891 Drypoint and aquatint on paper, 34.92 x 22.86 cm National Museum of Women in the Arts, Washington A prolific and innovative printmaker, Mary Cassatt created Mother’s Kiss as one of a series of 10 color prints…

The Bath (1891)

Cassatt, Mary (1844-1926) The Bath 1891 Soft-ground etching with aquatint and drypoint on paper, 31.43 x 24.44 cm National Museum of Women in the Arts, Washington In 1890, the Ecole des Beaux-Arts in Paris held a large-scale exhibition of Japanese prints that…

Maternal Caress (1890-1891)

Cassatt, Mary (1844-1926) Maternal Caress 1890–1891 Drypoint, aquatint and softground etching on paper, 36.83 x 26.82 cm National Museum of Women in the Arts, Washington

Faune dévoilant une dormeuse (1936)

Picasso, Pablo (1881-1973) Faune dévoilant une dormeuse / Jupiter et Antiope, d’après Rembrandt (Faun Revealing a Sleeping Woman/Jupiter and Antiope, after Rembrandt) 1936 Etching and aquatint on paper, 31.6 x 41.7 cm Tate Britain, London Pablo Picasso’s Faun Revealing a Sleeping…

Hommage à Rimbaud (1961)

Ernst, Max (1891-1976) Hommage à Rimbaud (Homage to Rimbaud) 1961 Etching and aquatint in blue-gray and pale pink National Gallery of Art, Washington See also: • Rimbaud, Arthur (1854-1891)

Disparate de bestia (1816-1824)

Goya, Francisco de (1746-1828) Disparate de bestia (Animal Folly) 1816–1824 (published 1877) Etching and aquatint on paper, 24.6 x 35.6 cm Rhode Island School of Design, Providence

Disparate de tontos (c.1815-1823)

Goya, Francisco de (1746-1828) Disparate de tontos (Fool’s Folly) c.1815–1823, printed posthumously before 1877 Etching and aquatint, 24.1 x 35.2 cm Philadelphia Museum of Art, Philadelphia Fool’s Folly is among four prints from Los Disparates first published in the French magazine…