Rembrandt (1606-1669) The Woman taken in Adultery 1644 Oil on oak, 83.8 x 65.4 cm National Gallery, London A woman kneels and weeps. Darkness like a great cavern surrounds her. A shaft of light picks her out on the stone…
Rembrandt (1606-1669) Ecce Homo 1634 Oil on paper mounted onto canvas, 54.5 x 44.5 cm National Gallery, London ‘Ecce Homo’, the Latin title of this painting, is taken from the Bible, and means ‘Behold the man!’ These were the words…
Rembrandt (1606-1669) The Supper at Emmaus 1648 Oil on mahogany, 68 x 65 cm Musée du Louvre, Paris Scene taken from the Gospel of Saint Luke (XXIV, 13-33), in which Christ, the day after his resurrection, reveals his divinity to…
Lairesse, Gérard de (1641-1711) Helen arriving in Troy c.1685–1690 Oil on canvas, 60 x 67 cm Musée du Louvre, Paris Title: The Landing of Helen led by Paris to the palace of Priam, in Troy Former title: Landing of Cleopatra at…
Lairesse, Gérard de (1641-1711) Abraham receiving the three angels of the Lord c.1680–1685 Oil on canvas, 120 x 164 cm Musée du Louvre, Paris Episode taken from the Bible (Genesis, XVIII, 6-15). In the background, Sarah, Abraham’s old wife, who will…
Lairesse, Gérard de (1641-1711) Cleopatra’s Banquet c.1675–1680 Oil on canvas, 74 x 95.5 cm Rijksmuseum, Amsterdam Cleopatra made a bet with Mark Antony on who could give the most lavish banquet. She won by dissolving a priceless pearl in vinegar and…
Rembrandt (1606-1669) Bellona 1633 Oil on canvas, 127 x 97.5 cm Metropolitan Museum of Art, New York Typical of Rembrandt’s domestication of ancient myth, this depiction of the Roman goddess of war may have reflected the Dutch readiness for conflict during…
Dürer, Albrecht (1471-1528) The Annunciation c.1502–1503 Woodcut printed in black ink on white antique laid paper, darkened to cream, 29.8 × 21.1 cm Fogg Museum, Cambridge, MA