Tag: arch

The Salutation of Beatrice (1880-1882)

Rossetti, Dante Gabriel (1828-1882) The Salutation of Beatrice 1880–1882 Oil on canvas, 154.3 × 91.4 cm Toledo Museum of Art, Toledo The woman in this painting embodies the Pre-Raphaelite ideal of beauty with her pale face, full lips, and thick, wavy,…

La mort de Socrate (after 1787)

David, Jacques-Louis (1748-1825) & Studio La mort de Socrate (The Death of Socrates) after 1787 Oil on canvas, 133 x 196 cm Princeton University Art Museum, Princeton David depicts Socrates about to drink hemlock rather than endure exile after being convicted…

Cristo expulsando a los mercaderes del templo (c.1600)

El Greco (1541-1614) Cristo expulsando a los mercaderes del templo (Christ driving the Traders from the Temple) c.1600 Oil on canvas, 106.3 × 129.7 cm National Gallery, London El Greco has used theatrical gestures and intense colours to express the chaos and…

Guarigione del cieco nato (c.1307-1311)

Duccio di Buoninsegna (c.1255-c.1319) Guarigione del cieco nato (The Healing of the Man born Blind) c.1307–1311 Egg tempera on wood, 45.1 × 46.7 cm National Gallery, London This painting comes from the back of the predella of the large, double-sided altarpiece made…

Annunciazione (c.1307-1311)

Duccio di Buoninsegna (c.1255-c.1319) Annunciazione (The Annunciation) c.1307–1311 Egg tempera on wood, 44.5 × 45.8 cm National Gallery, London This panel was the first in a series of scenes of the infancy of Christ on the front of the predella (lowest part)…

Madonna con Bambino e angelo (1475-1485)

Botticelli, Sandro (c.1445-1510) Madonna con Bambino e angelo (Virgin and Child with an Angel) 1475–1485 Tempera on panel, 85.8 × 59.1 cm Art Institute of Chicago, Chicago In this humanizing yet idealized depiction of the Virgin Mary embracing the baby Jesus, Sandro…

Madonna and Child with Angels (after 1479)

Memling, Hans (c.1430-1494) Madonna and Child with Angels after 1479 Oil on panel, 57.6 x 46.4 cm National Gallery of Art, Washington In the tradition of his Flemish predecessors, Memling‘s painting contains a wealth of religious meaning; it is filled with symbols…

The Infant Moses (1685)

Lairesse, Gérard de (1641-1711) The Infant Moses (Trampling the Crown of Pharaoh) 1685 Oil on canvas, 139.4 x 140.3 cm Wadsworth Atheneum, Hartford