Tag: armour

San Giorgio e il drago (1430-1435)

Uccello, Paolo (1397-1475) San Giorgio e il drago (Saint George and the Dragon) 1430–1435 Oil on wood panel, 131 x 103 cm Musée Jacquemart-André, Paris The painting on wood by Paolo Uccello represents Saint George running the dragon through with his lance,…

The Wedding of St George and Princess Sabra (1857)

Rossetti, Dante Gabriel (1828-1882) The Wedding of St George and Princess Sabra 1857 Watercolour on paper, 36.5 x 36.5 cm Tate Britain, London This work was executed while Rossetti and other artists were decorating the Oxford Union with medievalist murals. In Oxford,…

Étude pour La France ou Saint Georges (c.1902-1903)

Rodin, Auguste (1840-1917) Étude pour La France ou Saint Georges (Study for France or Saint George) c.1902–1903 Bronze, 49.3 x 44 x 37.8 cm Musée Camille Claudel, Nogent-sur-Seine © Musée Camille Claudel, photo by Yves Bourel Camille Claudel and Auguste Rodin shared their…

Cosimo de’ Medici in armatura (c.1545)

Bronzino (1503-1572) Cosimo de’ Medici in armatura (Cosimo de’ Medici in armour) c.1545 Oil on panel, 76.5 x 59 cm Museo Thyssen-Bornemisza, Madrid Bronzino’s portraits are undoubtedly among his most important works. His most significant examples date from the 1540s onwards, but…

Melancholy (1532)

Cranach, Lucas the Elder (1472-1553) Melancholy 1532 Oil on panel, 61 x 97 cm Statens Museum for Kunst, Copenhagen The sixteenth-century artist Lucas Cranach has become very popular in recent years, prompting a steady succession of exhibitions featuring his mysterious images. SMK…

Latino offre in matrimonio Lavinia a Enea (1753-1754)

Tiepolo, Giambattista (1696-1770) Latino offre in matrimonio Lavinia a Enea (Latinus gives Aeneas his daughter Lavinia in marriage) 1753–1754 Oil on canvas, 140.5 x 109.5 cm Statens Museum for Kunst, Copenhagen Decorative pictorial sequences came to play a major role in Giambattista…

Uomo in armatura (c.1530)

Tiziano (c.1488-1576) Uomo in armatura (Man in Armour) c.1530 Oil on canvas, 65 x 58 cm Pinacoteca Ambrosiana, Milano In his Musaeum Federico Borromeo writes that “Titian would have wanted to paint his father like this, armour-clad, to celebrate in a playful…

La Destruction du temple de Jérusalem (1635)

Poussin, Nicolas (1594-1665) La Destruction du temple de Jérusalem (The destruction of the Temple at Jerusalem) 1635 Oil on canvas, 147 × 198 cm Kunsthistorisches Museum, Vienna The material is taken from Flavius Josephus’ Jewish War. Titus, the son of the…