Mantegna, Andrea (c.1431-1506) Parnaso (Parnassus) 4th quarter of the 15th century Tempera on canvas, 159 x 192 cm Musée du Louvre, Paris Commissioned during the winter of 1496–1497 by Isabelle d’Este, Marchioness of Mantua (1474-1539) for the decoration of her first studiolo…
Lotto, Lorenzo (1480-1557) Gesù che porta la croce (The Carrying of the Cross) 1526 Oil on canvas, 66 x 98 cm Musée du Louvre, Paris
Millais, John Everett (1829-1896) Aeneas Shown the Body of Pallas from Virgil’s “Aeneid” 1843 Pen and black ink on original mount, 36.1 x 48.7 cm Cleveland Museum of Art, Cleveland Inscribed, original mount, lower right, in black ink: J. E. Millais…
Lippi, Filippo (1406-1469) L’Arcangelo Michele (The Archangel Michael) 1458 Tempera on wood panel, 81.3 x 29.8 x 3 cm Cleveland Museum of Art, Cleveland Pair of Panels from a Triptych: The Archangel Michael and St. Anthony Abbot. These panels depicting Saints…
Tiziano (c.1488-1576) Incoronazione di spine (The Crowning with Thorns) 1540–1543 Oil on panel, 303 x 180 cm Musée du Louvre, Paris Painted between 1540 and 1543 for the Confraternità di Santa Corona and placed in the funerary chapel of the brotherhood (decorated…
Velázquez, Diego (1599-1660) Retrato de Francisco I de Este (Portrait of Duke Francesco I d’Este) 1638 Oil on canvas, 68 x 51 cm Galleria Estense, Modena In 1638 Duke Francesco I d’Este undertook a diplomatic trip to the court of King Philip…
Turner, Joseph Mallord William (1775-1851) Mars and Venus, after Guercino 1802 Graphite on paper, 12.8 × 11.4 cm Tate Britain, London Compare: Guercino (1591-1666) Venere, Marte e Amore 1633 Galleria Estense, Modena
Guercino (1591-1666) Venere, Marte e Amore (Venus, Mars and Cupid) 1633 Oil on canvas, 139 x 161 cm Galleria Estense, Modena Following the indication of Venus, whose right hand is painted almost in a trompe l’oeil, Cupid is about to…
Hunt, William Holman (1827-1910) Rienzi vowing to obtain Justice 1849 Oil on canvas, 83 x 117 cm National Gallery, London Cola di Rienzo vowing to obtain justice for the death of his young brother, slain in a skirmish between the Colonna…
Van Dyck, Anthony (1599-1641) The Mocking of Christ 1628–1630 Oil on canvas, 112 x 93 cm Princeton University Art Museum, Princeton The most brilliant of Peter Paul Rubens’s assistants, Van Dyck left Antwerp to pursue his career in London and Genoa.…