Tag: Art

Self portrait with Saskia (1636)

Rembrandt (1606-1669) Self portrait with Saskia 1636 Etching, 10.4 x 9.5 cm Princeton University Art Museum, Princeton Rembrandt painted, etched, and drew more than seventy-five self-portraits. A few of these include his first wife, Saskia van Uylenburgh, whom he married in…

Apparition (1905-1910)

Redon, Odilon (1840-1916) Apparition 1905–1910 Oil on canvas, 65 x 50 cm Princeton University Art Museum, Princeton During the 1890s, Redon shifted his attention from charcoal drawing and lithography to a practice that embraced color, working in pastels and oil paints.…

Le Berger (1887)

Puvis de Chavannes, Pierre (1824-1898) Le Berger (The Shepherd) 1887 Pastel on paper, 60 x 41 cm Musée d’Orsay, Paris Compare: Puvis de Chavannes, Pierre (1824-1898) Le fils prodigue 1879 Princeton University Art Museum, Princeton     Puvis de Chavannes, Pierre (1824-1898) Le fils prodigue…

Le fils prodigue (1879)

Puvis de Chavannes, Pierre (1824-1898) Le fils prodigue (The Prodigal Son) 1879 Oil on canvas, 59.4 x 71.5 cm Princeton University Art Museum, Princeton Compare: Puvis de Chavannes, Pierre (1824-1898) Le fils prodigue c.1879 National Gallery of Art, Washington     Puvis de Chavannes,…

San Bartolomeo (c.1497)

Pinturicchio (c.1454-1513) San Bartolomeo (Saint Bartholomew) c.1497 Tempera on wood panel, 59.6 x 51 cm Princeton University Art Museum, Princeton Flayed and crucified for spreading Christ’s word through Armenia and India, the apostle Bartholomew was represented horrifically, holding his own skin,…

Tête d’homme et nu assis (1964)

Picasso, Pablo (1881-1973) Tête d’homme et nu assis (Head of a Man and Seated Nude) 1964 Oil on canvas, 65 x 81 cm Princeton University Art Museum, Princeton Produced late in Picasso’s career, many years after the Cubist period that defined…

Due studi per la figura della Vittoria (1531-1535)

Parmigianino (1503-1540) Due studi per la figura della Vittoria (Two Studies for Figure of Victory) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 6.8 × 10.8 cm Princeton University Art Museum, Princeton These three fragments represent Parmigianino’s…

Studio per la figura della Vittoria (1531-1535)

Parmigianino (1503-1540) Studio per la figura della Vittoria (Study for Figure of Victory on Pectoral Brooch of Pallas Athena) 1531–1535 Pen and brown ink on light tan laid paper prepared with salmon wash, 6.2 × 11 cm Princeton University Art Museum, Princeton…