Severini, Gino (1883-1966) Il gatto nero (The Black Cat) 1910–1911 Oil on canvas, 54.4 x 73 cm National Gallery of Canada, Ottawa Gino Severini was affiliated with the Italian Futurists, an avant-garde movement inspired by transformations in the urban landscape.…
Severini, Gino (1883-1966) Ballerina = Elica = Mare (Dancer = Propeller = Sea) 1915 Oil on canvas, 75.2 x 78.1 cm Metropolitan Museum of Art, New York Like other artists associated with Italian Futurism, Severini was fascinated by the interactions…
Severini, Gino (1883-1966) Souvenirs de Voyage (Memories of a Journey, Ricordi di viaggio) 1911 Oil on canvas, 47 x 75 cm Private collection
Severini, Gino (1883-1966) La Modiste (The Milliner) 1910–1911 Oil on canvas, 64.8 x 48.3 cm Philadelphia Museum of Art, Philadelphia This effervescent painting of a young hatmaker strolling in the street was included in the first Futurist exhibition in Paris,…
Whistler, James Abbott McNeill (1834-1903) Arrangement in Gray: Portrait of the Painter c.1872 Oil on canvas, 74.9 x 53.3 cm Detroit Institute of Arts, Detroit In this painting, Whistler explores problems in technique and composition, as well as his own…
Corot, Jean-Baptiste-Camille (1796-1875) Rome, Monte Pincio, la Trinité-des-Monts 1826–1828 Oil on canvas Private collection See also: • Pincio | Roma (Italia) | Trinità dei Monti
Corot, Jean-Baptiste-Camille (1796-1875) Monte Pincio, Rome 1840–1850 Oil on canvas, 27 x 40.6 cm Art Institute of Chicago, Chicago See also: • Pincio | Roma (Italia) | Trinità dei Monti
Corot, Jean-Baptiste-Camille (1796-1875) La Trinité-des-Monts c.1825–1828 Oil on canvas, 45 × 74 cm Musée du Louvre, Paris See also: • Pincio | Roma (Italia) | Trinità dei Monti
Corot, Jean-Baptiste-Camille (1796-1875) La Trinité-des-Monts à Rome (Trinità dei Monti in Rome) 1826–1828 Oil on paper mounted on canvas, 27.3 x 44.7 cm Musée d’art et d’histoire, Genève The Church of the Trinità dei Monti, one of the five French…
Corot, Jean-Baptiste-Camille (1796-1875) Femme lisant (A Woman Reading) 1869–1870 Oil on canvas, 54.3 × 37.5 cm Metropolitan Museum of Art, New York When the seventy-two-year-old Corot showed A Woman Reading at the Salon of 1869, the critic Théophile Gautier praised…