Degas, Edgar (1834-1917) Portrait de l’artiste (Self-Portrait) 1855 Oil on paper mounted on canvas, 81.5 x 65 cm Musée d’Orsay, Paris
Portrait de l’artiste (1855)
Tag: Art
Aux courses en province (1869)
Degas, Edgar (1834-1917) Aux courses en province (At the Races in the Countryside) 1869 Oil on canvas, 36.5 x 55.9 cm Museum of Fine Arts, Boston At once merging and disrupting the traditional categories of landscape, genre scene, and family portrait,…
Chez la modiste (1881)
Degas, Edgar (1834-1917) Chez la modiste (At the Milliner’s) 1881 Pastel on paper, 69.2 x 69.2 cm Metropolitan Museum of Art, New York Two customers in nearly identical dresses—perhaps a mother and daughter or two sisters—are seen from behind in a…
La classe de danse (1874)
Degas, Edgar (1834-1917) La classe de danse (The Dance Class) 1874 Oil on canvas, 83.5 x 77.2 cm Metropolitan Museum of Art, New York This work and its variant in the Musée d’Orsay, Paris, represent the most ambitious paintings Degas devoted to…
La classe de danse (1873-1876)
Degas, Edgar (1834-1917) La classe de danse (The Dance Class) 1873–1876 Oil on canvas, 85.5 x 75 cm Musée d’Orsay, Paris Degas regularly went to the Paris opera house, not only as a member of the audience, but as a visitor…
Autoportrait au col blanc (c.1857)
Degas, Edgar (1834-1917) Autoportrait au col blanc (Self-Portrait with White Collar) c.1857 Oil on paper on canvas, 20.5 x 15 cm National Gallery of Art, Washington
Ritratto del Cardinale Bibbiena (c.1516)
Raffaello (1483-1520) Ritratto del Cardinale Bibbiena (Portrait of Cardinal Bibbiena) c.1516 Oil on panel, 85 x 66.5 cm Galleria Palatina, Firenze Bernardo Dovizi (Bibbiena 1470– Rome 1520) was a scholar and a diplomat, as well as a friend and trusted private secretary…
Ritratto di Tommaso Inghirami detto “Fedra” (c.1510-1511)
Raffaello (1483-1520) Ritratto di Tommaso Inghirami detto “Fedra” (Portrait of Tommaso Inghirami called ‘Phaedra’) c.1510– 1511 Oil on panel, 89.5 x 62.5 cm Galleria Palatina, Firenze The subject, dressed in a red with a white sash, and wearing a red cap, emerges…
Tommaso Inghirami (c.1510)
Raffaello (1483-1520) & Workshop Tommaso Inghirami c.1510 Oil on wood, 90 x 62.5 cm Isabella Stewart Gardner Museum, Boston Lost in thought, Inghirami gazes up and to the right. Raphael may have chosen this angle to diminish the impact of the sitter’s…
Sacra Famiglia sotto la quercia (1518-1520)
Raffaello (1483-1520) Sacra Famiglia sotto la quercia (Holy Family below the Oak) 1518–1520 Oil on panel, 144 x 110 cm Museo del Prado, Madrid Leaning on a classical ruin, Saint Joseph looks at the Virgin Mary with the Christ Child in her…