Turner, Joseph Mallord William (1775-1851) Mortlake Terrace: Early Summer Morning 1826 Oil on canvas, 93 x 123.2 cm The Frick Collection, New York This canvas painted for William Moffatt depicts his estate at Mortlake, on the Thames just west of…
Turner, Joseph Mallord William (1775-1851) Mortlake Terrace 1827 Oil on canvas, 92.1 x 122.2 cm National Gallery of Art, Washington This painting, one of two views of Mortlake Terrace painted by Turner, is a view from the house, looking directly…
Courbet, Gustave (1819-1877) Le Bateaux de pêche (The Fishing Boat) 1865 Oil on canvas, 64.8 x 81.3 cm Metropolitan Museum of Art, New York Courbet painted this work during an intensely productive visit to Trouville with James McNeill Whistler from…
Courbet, Gustave (1819-1877) La mer calme (The Calm Sea) 1869 Oil on canvas, 59.7 x 73 cm Metropolitan Museum of Art, New York Courbet painted this view looking out over the English Channel during a visit to Étretat along the…
Manet, Édouard (1832-1883) La pêche (Fishing) c.1862–1863 Oil on canvas, 76.8 x 123.2 cm Metropolitan Museum of Art, New York Patterned after elements in landscapes by Peter Paul Rubens, the present painting gives currency to Delacroix‘s recommendation to Manet: “Look…
Manet, Édouard (1832-1883) En bateau (Boating) 1874 Oil on canvas, 97.2 x 130.2 cm Metropolitan Museum of Art, New York Manet summered at Gennevilliers in 1874, often spending time with Monet and Renoir across the Seine at Argenteuil, where Boating…
Bellotto, Bernardo (1721–1780) Vaprio d’Adda 1744 Oil on canvas, 64.1 x 99.7 cm Metropolitan Museum of Art, New York By carefully staging the sunlight hitting the facades rising above the Adda River, Bellotto picks out the north Italian villages of…
Bellotto, Bernardo (1721–1780) Nymphenburg Palace, Munich c.1761 Oil on canvas, 68.4 x 119.8 cm National Gallery of Art, Washington See also: • Nymphenburg Palace (Munich)
Corot, Jean-Baptiste-Camille (1796-1875) Femme lisant (A Woman Reading) 1869–1870 Oil on canvas, 54.3 × 37.5 cm Metropolitan Museum of Art, New York When the seventy-two-year-old Corot showed A Woman Reading at the Salon of 1869, the critic Théophile Gautier praised…