Gauguin, Paul (1848-1903) Moisson, Le Pouldu (Harvest: Le Pouldu) 1890 Oil on canvas, 73 × 92.1 cm Tate Britain, London In 1890 Gauguin was staying at Marie Henry’s boarding house in Le Pouldu, Brittany. The headland in this painting is at the western…
Hunt, William Holman (1827-1910) The golden prime of good Haroun Alraschid 1863 Watercolour on vellum, 10.2 x 12.7 cm National Museum Wales, Cardiff See also: • Tennyson, Alfred (1809-1892)
Laval, Charles (1861-1894) Femmes au bord de la mer, esquisse (Women by the sea, sketch) 1887–1889 Oil on canvas, 65 x 91.5 cm Musée d’Orsay, Paris See also: • Martinique (France)
Signac, Paul (1863-1935) Saint Tropez, France 1899 Lithograph, 43 x 32.6 cm Princeton University Art Museum, Princeton See also: • Saint-Tropez (France)
Monet, Claude (1840-1926) Les chambres du Parlement, les mouettes (The Houses of Parliament, Seagulls) 1903 Oil on canvas, 81 x 92 cm Princeton University Art Museum, Princeton Escaping the Franco-Prussian War, Monet moved to London in the fall of 1870 and…
Turner, Joseph Mallord William (1775-1851) The Campo Santo, Venice 1842 Oil on canvas, 62.2 x 92.7 cm Toledo Museum of Art, Toledo Venice is radiant, if somewhat shabby, in Joseph Mallord William Turner’s view north across the Venetian Lagoon. The city…
Corot, Jean-Baptiste-Camille (1796-1875) Daubigny travaillant sur le Botin près d’Auvers-sur-Oise (Daubigny working on his “Botin” near Auvers-sur-Oise) 1860 Oil on canvas, 24.3 x 34 cm Princeton University Art Museum, Princeton This painting is both a lyrical example of Corot’s late landscape…
Bosch, Hieronymus (c.1450-1516) St. Martin s.d. Engraving, 33.1 x 41.8 cm Princeton University Art Museum, Princeton
Homer, Winslow (1836-1910) Dad’s Coming! 1873 Oil on wood, 22.9 x 34.9 cm National Gallery of Art, Washington A woman holding a baby stands near a young boy who perches in the tipped-up end of a rowboat that has been pulled…
Turner, Joseph Mallord William (1775-1851) The Storm 1840–1845 Oil on canvas, 54.6 × 77 × 7.4 cm Princeton University Art Museum, Princeton This seascape of 1840–45 and its companion picture, ‘The morning after the storm’, were apparently inspired by the great storm of 21…