Manet, Édouard (1832-1883) Edgar Allan Poe 2nd half 19th century Ink (etching) on paper, 41 x 28.2 cm Kröller-Müller Museum, Otterlo See also: • Poe, Edgar Allan (1809-1849)
Tiziano (c.1488-1576) Venere che benda Amore (Venus Blindfolding Cupid) c.1560–1565 Oil on canvas, 118 x 185 cm Galleria Borghese, Roma In all likelihood, this painting entered the Borghese Collection in 1608, when it was given to Scipione Borghese by Cardinal Paolo Emilio…
Rosso Fiorentino (1495-1540) La sfida delle Pieridi (The Challenge of the Pierides) c.1523–1527 Oil on wood transferred to canvas, 31 x 63 cm Musée du Louvre, Paris A rare mythological subject This small painting represents an episode reported by Ovid in…
Scholderer, Otto (1834-1902) The Artist’s Wife on the Ottoman (Luise Scholderer auf der Ottomane) 1873 Oil on canvas, 69 × 82 cm Städel Museum, Frankfurt The artist’s wife is facing sideways towards the viewer and is looking at him in half-profile. Scholderer…
David, Jacques-Louis (1748-1825) Sapho, Phaon et l’Amour (Sappho, Phaon and Cupid) 1809 Oil on canvas, 225.3 x 262 cm Hermitage Museum, Saint Petersburg David is considered the founder and leading light of Neoclassicism, which dominated art in the late 18th and…
Mantegna, Andrea (c.1431-1506) San Sebastiano (Saint Sebastian) 4th quarter of the 15th century Tempera on canvas, 255 x 140 cm Musée du Louvre, Paris Composition surrounded by a trompe-l’oeil porphyry border. Probably arrived in Aigueperse (Auvergne) on the occasion of the marriage…
Poussin, Nicolas (1594-1665) Bacchanale (Bacchanal) 1625–1626 Oil on canvas, 122 x 169 cm Museo del Prado, Madrid This is a traditional scene from the iconography of Bacchus, the Roman god of wine. It depicts his meeting with Ariadne on the island…
Géricault, Théodore (1791-1824) Diane (Diana) Early 19th century Wash, pen on paper, 17.3 x 12 cm Museo del Prado, Madrid The composition is almost identical, with the same dimensions, to a Venus disarming Cupid (New York, Sotheby’s, January 28, 2015, n.…
Parmigianino (1503-1540) Cupido che fabbrica l’arco (Bowcarving Cupid) 1534–1539 Oil on lime, 135.5 × 65 cm Kunsthistorisches Museum, Vienna The inspiration for this painting may have come from a sculpture that Parmigianino may have seen in the Grimani Collection in Venice in…
Gentileschi, Orazio (1563-1639) Danae e la pioggia d’oro (Danae and the Shower of Gold) 1621–1623 Oil on canvas, 161.5 × 227.1 cm Getty Center, Los Angeles This painting is part of a series of works executed by Gentileschi in 1622 for…