Picasso, Pablo (1881-1973) Le gourmet 1901 Oil on canvas, 92.8 x 68.3 cm National Gallery of Art, Washington Painted almost entirely in shades of cool blues, a little girl stands at a table holding a bowl and spoon in this vertical…
El Greco (1541-1614) La Sagrada Familia con María Magdalena (The Holy Family with Mary Magdalene) c.1590–1595 Oil on canvas, 130 x 100 cm Cleveland Museum of Art, Cleveland The seemingly weightless figures, the startling color combinations, and the moody, imprecise setting…
Manet, Édouard (1832-1883) Les Bulles de savon (Boy Blowing Bubbles) 1867 Oil on canvas, 100.5 x 81.4 cm Museu Calouste Gulbenkian, Lisboa See also: • Koelin-Leenhoff, Léon (1852-1927)
Gauguin, Paul (1848-1903) La nappe blanche (The White Tablecloth) 1886 Oil on panel, 54.4 x 58.2 cm Pola Museum of Art, Hakone
Cézanne, Paul (1839-1906) Nature morte avec carafe, bidon de lait, bol et orange (Still Life with Carafe, Milk Can, Bowl, and Orange) 1879–1880 Oil on canvas, 26.99 × 34.93 × 1.91 cm Dallas Museum of Art, Dallas Paul Cézanne was…
Manet, Édouard (1832-1883) Nature morte au melon et aux pêches (Still Life with Melon and Peaches) 1866 Oil on canvas, 68.3 x 91 cm National Gallery of Art, Washington A white rose, grapes and other fruit, a squat gourd, a…
Manet, Édouard (1832-1883) Huîtres (Oysters) 1862 Oil on canvas, 39.2 x 46.8 cm National Gallery of Art, Washington A plate of oysters, a halved lemon, an oyster fork and shells, and a dish of salt are arranged on a wooden…
Allori, Alessandro (1535-1607) San Giovanni Battista nel deserto (St. John the Baptist in the Desert) 1586 Oil on copper, 34.50 x 26 cm Musée Fabre, Montpellier
Renoir, Pierre-Auguste (1841-1919) Nature morte avec pêches et raisins (Still Life with Peaches and Grapes) 1881 Oil on canvas, 54 x 65.1 cm Metropolitan Museum of Art, New York Renoir spent part of the summer of 1881 at the country home…
Renoir, Pierre-Auguste (1841-1919) Nature morte aux pêches (Still Life with Peaches) 1881 Oil on canvas, 53.3 x 64.8 cm Metropolitan Museum of Art, New York Reviewers of the 1882 Impressionist exhibition were dazzled by this “very appealing” still life of…