Tag: breast

La nymphe de Fontainebleau (1542-1543)

Cellini, Benvenuto (1500-1571) La nymphe de Fontainebleau (The Nymph of Fontainebleau) 1542–1543 Bronze, 205 x 409 cm Musée du Louvre, Paris Commissioned by François I and executed in 1542–1543, in the workshop of the Hôtel de Nesle in Paris, with the assistance…

Perseo con la testa di Medusa (1545-1554)

Cellini, Benvenuto (1500-1571) Perseo con la testa di Medusa (Perseus with the Head of Medusa) 1545–1554 Bronze, h. 519 cm Piazza della Signoria, Firenze Compare: Canova, Antonio (1757-1822) Perseo con la testa della Medusa 1804–1806 Metropolitan Museum of Art, New York  …

Saliera (1540-1543)

Cellini, Benvenuto (1500-1571) Saliera (Salt Cellar) 1540–1543 Gold, enamel, ebony, ivory, 28.5 × 21.5 × 26.3 cm Kunsthistorisches Museum, Vienna The only extant work in gold by this Florentine artist already famous during his lifetime, Cellini’s masterpiece is far more than a…

La Muse (1935)

Picasso, Pablo (1881-1973) La Muse (The Muse) 1935 Oil on canvas, 130 x 162 cm Musée National d’Art Moderne, Paris Returning to a peaceful climate, Picasso painted two Inspiration figures, one drawing its own reflection in the mirror, the other sleeping. The…

Femme en chemise (1906)

Derain, André (1880-1954) Femme en chemise (Woman in a chemise) 1906 Oil on canvas, 100 x 81 cm Statens Museum for Kunst, Copenhagen Effortless nonchalance and confident mastery. That’s the winning combination which enabled André Derain to create a masterpiece that now…

Crouching human couple (1918)

Schiele, Egon (1890-1918) Crouching human couple / The Family (Kauerndes Menschenpaar / Die Familie) 1918 Oil on canvas, 150 × 160.8 cm Österreichische Galerie Belvedere, Vienna A man and a woman, both naked, crouch in the darkness of a room. A child…

Femme à la fourrure (c.1880)

Manet, Édouard (1832-1883) Femme à la fourrure (Lady in a fur) c.1880 Pastel on canvas, 55.8 × 45.8 cm Österreichische Galerie Belvedere, Vienna She looks out of the picture confidently. Her hair is carefully styled, the fur is casually draped over her…

La Toilette de la mariée (1940)

Ernst, Max (1891-1976) La Toilette de la mariée (Attirement of the Bride) 1940 Oil on canvas, 129.6 x 96.3 cm Guggenheim Museum, New York © 2023 Artists Rights Society (ARS), New York/ADAGP, Paris Attirement of the Bride is an example of Max Ernst’s veristic…

The Antipope (1941-1942)

Ernst, Max (1891-1976) The Antipope 1941–1942 Oil on canvas, 160.8 x 127.1 cm Guggenheim Museum, New York © 2023 Artists Rights Society (ARS), New York/ADAGP, Paris Max Ernst settled in New York in 1941 after escaping from Europe with the help of…