Parmigianino (1503-1540) Lucrezia (Lucretia) c.1539 Watercolor over black chalk, 29.8 x 20.9 cm National Gallery of Art, Washington
Lucrezia (c.1539)
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Lucrezia Romana (1540)
Parmigianino (1503-1540) Lucrezia Romana (Roman Lucretia) 1540 Oil on panel, 68 × 52 cm Museo di Capodimonte, Napoli
Allegoria della Virtù (c.1531)
Correggio (c.1489-1534) Allegoria della Virtù (Allegory of Virtue) c.1531 Tempera on canvas, 14.2 × 85.5 cm Musée du Louvre, Paris Companion: Correggio (c.1489-1534) Allegoria del Vizio c.1531 Musée du Louvre, Paris See also: • Isabella d’Este, Marchesa di Mantova (1474-1539)
Venere e Amore spiati da un satiro (c.1524-1527)
Correggio (c.1489-1534) Venere e Amore spiati da un satiro (Venus and Cupid Spied on by a Satyr) c.1524–1527 Oil on canvas, 188 × 125 cm Musée du Louvre, Paris
La Baigneuse (1846-1848)
Millet, Jean-François (1814-1875) La Baigneuse (The Bather) 1846–1848 Oil on wood, 18.5 x 24.1 cm National Gallery of Art, Washington
Venere, Adone e Cupido (c.1590)
Carracci, Annibale (1560-1609) Venere, Adone e Cupido (Venus, Adonis and Cupid) c.1590 Oil on canvas, 212 x 268 cm Museo del Prado, Madrid Venus, the Roman goddess of Love and Beauty, is accidentally wounded by one of her son Cupid’s arrows,…
L’estasi di Maria Maddalena (1585-1600)
Carracci, Annibale (1560-1609) L’estasi di Maria Maddalena (The Ecstasy of Mary Magdalene) 1585–1600 Oil on panel, 37.5 x 29.5 cm Museo del Prado, Madrid According to the Golden Legend, after the death of Christ his follower Mary Magdalene moved to the…
La folie des grandeurs (1967)
Magritte, René (1898-1967) La folie des grandeurs (Megalomania) 1967 Bronze, 154.9 × 121.9 × 82.2 cm Menil Collection, Houston
Hélène Fourment (c.1636-1638)
Rubens, Peter Paul (1577-1640) Hélène Fourment (“The Furry”) c.1636–1638 Oil on oak, 178.7 × 86.2 × 2.5 cm Kunsthistorisches Museum, Vienna The posture of Rubens‘ second wife Helena Fourment (1614-1674, married in 1630) is reminiscent of the type of the ancient…
Bacchus (1638-1640)
Rubens, Peter Paul (1577-1640) Bacchus 1638–1640 Oil on canvas, 191 x 161.3 cm Hermitage Museum, Saint Petersburg Bacchanalia was a favourite theme in Rubens‘s work, although Bacchus himself was rarely the subject of his paintings. He saw the subject as reflecting…